[warm, carefree acoustic guitar]
In Lodi, on a busy corner
in an old car dealership building...
- Kipp Inglis: I do like being down here in Lodi.
I like the interaction.
- ...is an artist
who makes her craft from natural dyes.
- Kipp Inglis: I'm just a color freak.
I like color.
Most chemical dyes are made with metal salts,
and some of those are pretty caustic.
The natural dyeing that I do,
and I prefer to call it 'botanical dyeing,'
is pretty much with everyday chemicals
that we use in the kitchen.
- For Kipp Inglis, it took a while
to learn the joys of natural pigments.
- I was a acid dyer for years,
using dyes that use vinegar, basically.
And about eight years ago,
was introduced to dyes made from plants
that we could get this range of colors
from something that's so readily available.
Just fascinated by the process.
So, decided to relearn dying from that point of view.
I'm always looking for
a wider range of colors
that I can get from the plants,
and the challenge of doing it--
we have to do this all on natural fibers.
It's easy to do on wool, little harder on silk.
I've just started using hemp,
and I love it.
Very difficult on cotton,
and I love trying to do it on cotton.
I'm just the facilitator.
Mother Nature is in charge of all of this.
I just kind of bring it to the light.
- Kipp highlights Mother Nature's ability
to provide a variety of rich dyes.
- I use madder from madder root.
I use cochineal from cochineal bugs.
I use weld,
which is a fast-growing weed that's easy to grow
for a fantastic yellow.
And then, I use indigo.
And indigo has a whole different process
than all the other dyes.
Right now, indigo is kind of at the top of the list
for everybody.
It's very popular, and I love using it.
And combining those dyes will give you
a very, very wide range of colors.
Reusing and sustainability
are driving factors in the process.
I guess I'd like us to understand
that we should stop buying new wardrobes every two years
and start reusing what we've got.
My Boro process over here,
the stitching
is old, old, old technique from Japan,
where they would keep garments going for generations.
It was much easier just to patch and keep going.
- Learning and passing on that knowledge
pushes Kipp to continue experimenting and teaching.
- Because I'm a process person,
that's mostly what I teach is process.
There is some, I guess,
if you want to call it recipe work that I teach them.
But to see the excitement on their faces
when they can make something work,
and then, beyond that,
to see what they do with it afterwards.
I don't consider myself a very good artist,
but a lot of my students have become very, very good artists,
and that, to me, is--
just keeps me going.
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