- It's a masterpiece of design and engineering.
- They wanted it to be a symbol of self-rule.
- A very high-minded,
idealized notion of democracy.
- Designed by an American master.
- This was the crowning gem in his life's work.
- And filled with priceless artwork.
- It's Wisconsin's most valuable work of art.
There's nothing like it.
- It's a state capitol that was created for all of us.
- I always think of it
as the most public building in Wisconsin.
- It's always open 365 days out of the year.
- After a catastrophe ruined its predecessor.
- An hour after the fire starts,
it's lighting up the sky.
- The Capitol would face its own disaster.
- There were actually parts of the mosaics
that leaned forward.
- The whole thing was at risk of crumbling down.
- And it would take a massive 12-year effort
to save the building.
- The restoration of this building was important
because this is a masterpiece.
- This National Historic Landmark
is one of the most admired capitols in the country.
I'm going to discover its remarkable history,
explore its grand spaces,
and uncover a few of its hidden secrets.
- This is the story of
Our House: The Wisconsin Capitol
- Our House: The Wisconsin Capitol
is funded in part by
Ron and Colleen Weyers,
Francis A. and Georgia F. Ariens Fund
within the Brillion Area Family of Funds,
the Conney Family,
in loving memory of Mildred Conney,
Edvest College Savings Plan,
helping families save since 1997,
the Eleanor and Thomas Wildrick Family,
Roger and Lynn Van Vreede,
American Transmission Company,
National Guardian Life Insurance Company,
and Friends of Wisconsin Public Television.
*
- The Wisconsin State Capitol
was conceived just after the turn of the century
in an era of American optimism.
States were building ever more grand capitols
to express their success, pride, and democratic ideals.
If Europe's palaces were made for monarchs,
America was building them for its people.
When it came time for Wisconsin to build such a palace,
it would be one for the ages.
Since its completion in 1917,
the Wisconsin Capitol has contained
the state's four branches of government.
Its symmetrical form creates a unique balance
between the spaces of the Governor,
Senate,
Assembly,
and Supreme Court.
- Everything is equal in that building.
Every aspect of government is weighted equally.
No one wing is more important than the other wing.
- This uniformity is made possible
because the Capitol is arranged
in a shape known as a St. Andrew's Cross.
- St. Andrew's Cross is essentially an X.
Here at our capitol,
it lines up with the points of the compass
and also the streets
that are coming towards the Capitol.
- It's the only capitol in the country laid out this way
*
making it notoriously bewildering to navigate.
[mischievous music]
- It's a mirror this way at 90 degrees
and it's a mirror at 180.
So, it's inherently confusing
and you can get entirely turned around
and end up in a different place in the city than you intended.
[laughing]
- You can get very easily turned around.
But that's not necessarily a bad thing.
- The Capitol's layout also creates many access points.
And all of these entrances feed into a central circular area
called the Rotunda.
- This is the Capitol's premier public space.
The Rotunda is immense in scale.
Natural light pours in from skylights in the wings and the
dome's 19-foot tall cathedral windows.
The space is intended
to draw our eyes upward.
Fitting for a building designed to inspire us.
- The Rotunda is a big part of why the Capitol attracts
hundreds of thousands of visitors each year.
- We call our Rotunda the "living room" for a reason.
That's because it's always open
365 days out of the year.
People can come in and get married here,
we have blood drives here, we have school groups here.
It is one of the most public features
of the state of Wisconsin.
- The Capitol is and always was
meant to be a public building.
From the time it was built,
it was referred to casually as,
quote, "the people's house,"
which was a phrase
that originated a hundred years earlier
with the White House in the early 19th century.
It fit the idea of how the building should be used.
Even if you look at it architecturally,
there are doors everywhere.
It's meant to be an open public building.
- It brings people in.
It invites people in.
Accessibility is kind of its theme.
The capitol was basically designed and placed
within the cityscape
to express the notion of accessibility.
- Many of our rooms can be reserved
by people who get permits.
Weddings can happen here.
Retirement parties happen here.
I've myself signed as a witness
for at least two different marriage certificates,
just from working here for two years.
Even if the legislators are meeting,
even if the governor is signing a bill,
it's still open to everyone.
[traffic sounds]
- The people's house seems perfectly placed
in the heart of Madison.
But the Capitol and the city would not exist
except for one man.
Frontier judge and land speculator James Duane Doty
traveled to this area in the spring of 1836.
To him, it was wild and unsettled.
But he envisioned a city here
and drafted a plat, or map, of its layout.
Wisconsin became a U.S. territory that summer,
and a convention was called
to form a constitution.
One important order of business
was choosing a capital city
among the twenty sites proposed.
Doty, one of the delegates, had a plan.
- Doty presented his map to fellow delegates,
promising them lots in exchange for votes.
When it came time to vote for a site to be the capital,
16 of the 39 men owned property in Madison,
a city that didn't even exist.
- And that was enough to tip the scales
and Madison was chosen.
Now whether that should be called bribery
or just good politicking is for the beholder to decide.
- Madison's first capitol building was constructed
on the square Doty had earmarked.
By the time Wisconsin achieved statehood in 1848,
this cold and leaky capitol
had earned the uncomplimentary nickname
"Doty's washbowl".
Its replacement was completed in 1869.
Over the next four decades,
the second state capitol
would receive numerous expansions and updates,
especially to its fire prevention technology.
- By the turn of the century,
the second Madison capitol
was considered to be
a state of the art fireproof building.
- But in the early morning of February 27, 1904,
a newly-varnished ceiling caught fire
and the system catastrophically failed.
- An hour after the fire starts,
it's lighting up the sky in Madison
and people are streaming out of their houses
to come try to help.
- By the time the fire was out,
the Wisconsin Capitol was in ruins.
No had died,
but it was a devastating loss for the state.
Governor Robert "Fighting Bob" La Follette
would cheerlessly write to a friend,
"I have no doubt the citizens of Wisconsin
will insist on having an entirely new building
put up in its stead.
Nevertheless, I shall regret to see it go."
- At this point in the early 20th century,
Wisconsin had a high self-esteem and booming economy.
- It's right at the height of the Gilded Age.
Wisconsin has become a tremendous success,
and they wanted this capitol to be a symbol of that success.
- And other states, like Minnesota,
were building grandiose new capitols.
- Wisconsin was not going to be left behind
in the design of the building
that it was going to have to mark its place
as one of the premier state capitols in the country.
- The stage was set for Wisconsin
to make its own statement.
A committee appointed by Governor La Follette,
called the Capitol Commission,
would oversee this ambitious endeavor.
- The Capitol Commission requested proposals
from architectural firms all across the country.
They wanted a grand and monumental building.
And they would find the perfect architect
to achieve that vision in George Post.
- By the turn of the century, George Browne Post of New York
was a leading figure in American architecture.
- He was known in Manhattan
for designing and having built really tall office buildings
using structural steel.
So, he was considered very much an innovator in that regard
and sometimes referred to
as the father of the later skyscraper.
- Post had recently completed the New York Stock Exchange
and, in his late sixties,
was actively seeking a large public project
to seal his legacy.
- He always wanted to build a capitol, and this was it.
This was the crowning gem in his life's work.
- But building it would be a challenge.
The Capitol's huge cost of over $7 million,
would have to be spread out
over a decade.
And there was another significant obstacle.
- They didn't start with a blank slate
like many capitols do.
They were constructing this capitol
while they were taking down
the old capitol that had burned.
- To spread out costs,
and also keep government running
in the old capitol's salvaged wings,
the construction project
would proceed in five stages over 11 years.
It got underway in 1906.
And overseeing this massive endeavor
was Madison architect Lew Porter.
His assignment was as monumental
as the building itself.
- If you've ever remodeled your house and put in a bathroom
or built a house from scratch
you know what goes into starting with paper plans
and watching a 3-dimensional building rise from them.
Multiply that a thousand-fold
and you have Lew Porter's job.
125 separate jobs had been identified--
plumbing, electricity,
painting, whatever.
And on any given day,
30 to 40 of those contractors
were at work on the site.
- With Post usually in New York,
making sure every detail was done exactly as specified
fell to Porter.
- He insisted that
artisans, craftsmen, plumbers, joiners, carpenters
all live up to the very exacting standard
Post had pretty much demanded for the building.
- One day he noticed that
a railing in one of the stairways of the Capitol
as it was being built seemed a little odd.
And he looked at the specs,
it called for the railing to be solid brass.
He got out a hacksaw and he tore into it
and in fact it was only brass plated.
And, of course, he had it dismantled
and sent back to the vendor
and it was replaced with a solid brass one.
- Post carefully selected materials
that would maximize beauty
and visual appeal.
Marble, granite, and limestone,
quarried from dozens of sites around the world,
were used to create
a spectacular display of color and patterns.
And each major chamber
was distinguished by marble and granite
found nowhere else in the Capitol,
to ensure each of these spaces
would have a character all its own.
- For the exterior, Post wanted marble,
but the cost was simply too high.
So, Post, Lew Porter, and the Capitol Commission
toured a number of quarries out east.
They chose a stone quarried in Vermont
called White Bethel granite.
- This granite covers
the entire exterior of the building.
Even the four statuary groups at the base of the dome
are sculpted from it.
As sections of the Capitol were built,
they were put to use.
When the west wing was finished in 1909,
the legislature began meeting there.
In 1915, two years before the Capitol was completed,
guides began giving tours to the public.
It's a tradition that has continued
for over a century.
- You know what?
That would be a really good question
to ask our tour guide later,
is, "How much stone it was?"
- Wow!
- How did it get up there?
- Big ladders.
- Welcome to the Wisconsin State Capitol.
My name is Jason,
and we're going to take the stairs.
You can follow me up this way.
The title of that painting is
"The Resources of Wisconsin."
In the center, there is a lady with red hair.
What's her name?
- Wisconsin. - Wisconsin!
She represents our state.
- Well, I really like sharing the stories.
So, I used to do theater back in high school,
and I also am a historian by trade.
Being able to share the history
and being able to share that information with people
in a story format is my favorite thing.
- If they try to speak over their thirty minutes,
the justices will interrupt and say, "Excuse me!
[banging table to imitate a gavel]
Your time is over. Please sit down!"
Thirty minutes to change the laws of the state.
- Each year, 50,000 students from schools around the state
make a field trip to the Capitol.
- This is my students' favorite thing to do each year.
I think that the information that's given on the tours here
is excellent.
- The first electronic voting system installed in this room
was the original electronic voting system in the world.
It was here in Wisconsin before anywhere else.
- A Capitol tour is packed
with state history and interesting facts,
but it's often the little details
that are most memorable.
- We have a fossilized starfish in the staircase.
No matter how many tours I give,
that's always the most memorable piece
that people come back for.
But besides the fossil,
I would say also the ghost in the Assembly.
- Now when this painting was finished by Mr. Edwin Blashfield
we said it's very beautiful, we really like it,
but it's just not Wisconsin enough.
So, we made him go back and add one animal
to make it more Wisconsin.
What animal did he add?
- Badger. - The badger.
So over here on the right side
he added this badger to the rock.
But, of course,
when you add something to a painting
you have to paint over top of something else.
And what he removed was a fourth Civil War soldier.
That soldier did not like the decision
and so he came back as a ghost to haunt us.
Do you wanna see the ghost? - Yeah!
- Hat, ear, and shoulder.
And that's the ghost of the Assembly.
But he's a friendly ghost.
- This should be a priority for all kids to visit,
to see how our state government runs
and how we should be so proud of this capitol
>> MY.
I'M JON MISKOWSKI, DIRECTOR OF
WISCONSIN PUBLIC TELEVISION AND
WE'RE WATCHING "OUR HOUSE" AND
OUR HOST IS MICHAEL BRIDGEMAN.
THIS IS A WONDERFUL PROGRAM.
STAY WITH US.
WE'D LIKE TO INVITE YOU TO
SUPPORT WISCONSIN PUBLIC
TELEVISION AND THE PROGRAMS ON
WISCONSIN PUBLIC TELEVISION.
WITH A GIFT OF $8 A MONTH, WE
HAVE THE DVD OF "OUR HOUSE."
MICHAEL, TELL US ABOUT THE
PROGRAM.
>> WELL, YOU'VE SEEN THE FIRST
PART OF THE PROGRAM.
ONE OF THE THINGS WE KNEW WE HAD
TO DO WAS SHOW KIDS IN THE
CAPITOL.
SO MANY SCHOOL CHILDREN COME TO
THE CAPITOL EVERY YEAR AND THEY
ALL JUST LOVE IT.
THEY LOVE THE ROTUNDA.
THEY FLY ON THE FLOOR.
AND THEY LOVE LOOKING UP AT THE
DOME.
IT'S JUST WONDERFUL TO WATCH THE
KIDS WHEN THEY'RE THERE BECAUSE
THEY STILL HAVE A SENSE OF
WONDER ABOUT THIS STUFF.
SOME OF OUR ADULTS ARE A LITTLE
MORE JADED OR USED TO IT.
AS OFTEN AS I'VE BEEN IN THE
CAPITOL WORKING ON THIS PROGRAM,
I STILL SAW NEW THINGS TO SEE
ABOUT IT.
>> THE WONDERFUL THING ABOUT
THIS PROGRAM IS THAT BUILDING IS
REALLY HARD TO TAKE FOR GRANTED,
MAYBE SOMETIMES WE GET CLOSE TO
TAKING IT FOR GRANTED, THE
WORKMANSHIP, DESIGN THAT'S
EXPRESSED IN THIS PROGRAM.
YOU'LL NEVER TAKE IT FOR GRANTED
AGAIN.
THIS IS A GREAT TIME TO CALL AND
SUPPORT WISCONSIN PUBLIC
TELEVISION WITH YOUR PLEDGE TO
1-800-236-3636.
>> MY.
I'M STEPHANIE ELKINS.
I AM ONE OF THE MUSIC HOSTS ON
WISCONSIN PUBLIC RADIO AND A
VOLUNTEER HERE FOR WISCONSIN
PUBLIC TELEVISION.
WHAT A GORGEOUS, GORGEOUS
PROGRAM, ANOTHER BEAUTY FROM
WISCONSIN PUBLIC TELEVISION.
KUDOS TO THE PRODUCTION TEAM AS
USUAL.
WE HAVE GOT A FANTASTIC GIFT FOR
YOU.
WE'VE GOT, FOR A PLEDGE OF $8 A
MONTH OR MORE, THE DVD OF WHAT
YOU'RE SEEING THIS EVENING,
WHICH IS NOT ONLY THE DVD OF
WHAT YOU'RE SEEING THIS EVENING,
BUT WE ALSO HAVE AN ADDITIONAL
DOCUMENTARY THAT WAS MADE IN
1999 ABOUT THE RESTORATION OF
THE CAPITOL.
SO YOU GET A DOUBLE DVD.
THAT'S FOR YOUR PLEDGE OF $8 A
MONTH OR MORE.
AND FOR A PLEDGE OF $10 A MONTH,
WE'LL SEND YOU A BOOK CALLED
"THE WISCONSIN CAPITOL."
IT COMES TO YOU FROM THE
WISCONSIN HISTORICAL SOCIETY
PRESS.
FOR $13 A MONTH OR MORE WE'LL
SEND YOU BOTH THE DVD AND THE
BOOK.
WE WOULD LOVE TO HEAR FROM YOU
DURING THIS WONDERFUL PROGRAM
ABOUT OUR CAPITOL.
WE'RE CELEBRATING THE CENTENNIAL
OF PUBLIC BROADCASTING, THE
CENTENNIAL OF THE CAPITOL.
WHAT A GREAT WAY TO CELEBRATE
RIGHT NOW AT 1-800-236-3636.
>> AND I'M AGAIN MICHAEL
BRIDGEMAN, THE HOST OF THIS
PROGRAM, WHICH I HAD A GREAT
TIME WORKING ON THIS PROGRAM,
BECAUSE IT WAS A CHANCE TO SEE
THE CAPITOL IN DIFFERENT WAYS.
I ESPECIALLY LIKED SOME OF THE
BEHIND-THE-SCENES STUFF THAT WE
SAW BEHIND THE SKYLIGHTS AND SO
ON.
BECAUSE MOST PEOPLE DON'T SEE
THAT.
YOU'LL SEE IT AS PART OF THE
PROGRAM TONIGHT.
I'M GLAD I'VE BEEN A PART OF
MAKING IT POSSIBLE FOR YOU TO
SEE THAT.
I'M GRATEFUL FOR ALL THE
SUPPORTERS OF WISCONSIN PUBLIC
TELEVISION WHO MAKE IT POSSIBLE
FOR THIS ORGANIZATION TO DO
PROGRAMS ABOUT OUR STATE LIKE
"OUR HOUSE."
NO ONE ELSE IS GOING TO DO THIS
KIND OF STUFF AND NO ONE ELSE IS
GOING TO DO IT NEARLY AS WELL.
I HAD NOTHING TO DO WITH TAKING
ALL THE FABULOUS VIDEO YOU'RE
SEEING.
MOST ARE PEOPLE MUCH MORE
SKILLED THAN I.
BUT THEY'VE DONE A TERRIFIC JOB.
AND IT BRINGS OUT THE BEAUTY OF
THE BUILDING IN A WONDERFUL WAY.
SO I THINK IT'S WELL WORTH YOUR
SUPPORT, FRANKLY.
AND I KNOW YOU CAN SHOW YOUR
SUPPORT BY CALLING RIGHT NOW AT
1-800-236-3636.
>> THANKS, MICHAEL.
AND THANK YOU FOR YOUR CALLS.
THE ONE ASPECT OF THIS PROGRAM
THAT YOU'RE NOT SEEING TONIGHT
IS AN EDUCATIONAL COMPONENT THAT
WILL BE AVAILABLE TO WISCONSIN
SCHOOLS.
WE WANT TO THANK JIM FROM EDVEST
FOR JOING US.
WE HAVE COMMON CAUSE IN OUR
ASPIRATIONS FOR EDUCATING THE
STATE.
>> I'D LIKE TO THANK WPT FOR
HAVING US HERE AGAIN THIS YEAR.
WE ARE VERY HAPPY TO PARTNER
WITH WISCONSIN PUBLIC TELEVISION
AND YOUR PROGRAMMING FOR KIDS.
>> YEAH.
WE REALLY APPRECIATE THAT.
WHEN I THINK ABOUT SAVING FOR MY
BOYS, I WAS INSPIRED BY MY
SISTER, A LITTLE YOUNGER THAN ME
AND HER CHILDREN WERE YOUNGER
THEN, BUT THAT WAS A LONG TIME
AGO.
SO WHAT DO PEOPLE THINK ABOUT
INVESTING?
WHEN TO DO IT.
>> THE IMPORTANT THING HERE,
JON, YOU CAN START EARLY OR
LATER.
EVEN IF THEY'RE IN MIDDLE SCHOOL
OR HIGH SCHOOL YOU MIGHT AS WELL
START.
FOR EVERY DOLLAR THAT YOU SAVE
BEFORE COLLEGE, PROBABLY
TRANSLATES INTO $2 YOU WOULD
HAVE TO PAY BACK LATER ON WITH
LOANS AND INTEREST AND TIME AND
THAT SORT OF THING.
ANYTHING HELPS AT THE BEGINNING.
>> WE KNOW ABOUT THE CHALLENGE
OF STUDENT DEBT.
YOU GUYS ARE WORKING ON THAT
WITH PARENTS ACROSS THE STATE.
THANK YOU FOR SUPPORT OF THIS
PROGRAM.
AND THANK YOU FOR CALLING WITH
YOUR PLEDGE TO 1-800-236-3636.
>> WE'RE GOING TO BE GOING BACK
TO THE PROGRAM IN JUST A FEW
MINUTES BUT RIGHT NOW WE'RE
ASKING FOR YOUR SUPPORT OF THIS
ORIGINAL KIND OF PROGRAM.
THE CINEMATOGRAPHY IS GORGEOUS.
EVERYTHING ABOUT IT IS TOPNOTCH
AND HIGH-QUALITY.
WE HAVE THE DVD OF THE PROGRAM
THAT YOU'RE WATCHING AND IN
ADDITION TO THAT IT'S CALLED
"OUR HOUSE: THE WISCONSIN
CAPITOL" AN ADDITIONAL
DOCUMENTARY MADE BY WPT A FEW
YEARS AGO ABOUT THE RESTORATION
OF THE CAPITOL.
YOU'LL GET BOTH OF THOSE FOR
YOUR PLEDGE OF $8 A MONTH OR
MORE.
FOR A PLEDGE OF $10 A MONTH, WE
HAVE THE WISCONSIN CAPITOL BY
THE WISCONSIN HISTORICAL SOCIETY
PRESS.
IT'S GOT WONDERFUL HISTORY OF
THE CAPITOL, LOTS OF PHOTOS.
FOR A PLEDGE OF $13 A MONTH OR
MORE, WE'LL SEND YOU BOTH THE
DVD OF THE DOCUMENTARIES PLUS
THE BOOK.
AND WHAT A LEGACY THESE ARE.
OUR CAPITOL IS A LEGACY.
IT'S A JEWEL AMONG ALL CAPITOLS.
AND TO SHARE THIS WITH YOUR
FRIENDS AND YOUR FAMILY WOULD BE
JUST TERRIFIC.
SO GIVE US A CALL AT
1-800-236-3636.
>> WE CHOSE TO DO THE PROGRAM
ABOUT THE CAPITOL THIS YEAR
BECAUSE IT'S THE CENTENNIAL.
100 YEARS AGO IS WHEN THIS
CAPITOL WAS FINISHED, COMPLETED.
AND IT'S ALSO, INTERESTINGLY
ENOUGH, 100 YEARS AGO THAT
PUBLIC BROADCASTING GOT ITS
START WITH THE INITIAL RADIO
BROADCAST HERE IN WISCONSIN.
AND SO WHAT WE SEE TODAY ON
WISCONSIN PUBLIC TELEVISION GOES
BACK TO THAT PERIOD IN A WAY.
AND WE'RE VERY GRATEFUL FOR
THAT.
BUT THE CAPITOL IS A VERY
SPECIAL PLACE.
I THINK WE'VE CAPTURED THAT IN
THIS PROGRAM.
I HOPE YOU AGREE AND THAT YOU
APPRECIATE THAT AND RECOGNIZE
THAT YOUR SUPPORT MAKES THIS
POSSIBLE.
SO CALL, PLEASE, 1-800-236-3636.
>> IT'S GREAT TO HEAR THE PHONES
RING AND I'M HERE WITH JESS AND
JIM FROM EDVEST, SUPPORTERS OF
THIS PROJECT.
I'VE NEVER HEARD ANYBODY REGRET
GIVING TO PUBLIC TELEVISION.
I HAVEN'T HEARD THAT YET.
I SUPPOSE IT'S THE SAME WAY.
IN OUR OWN FAMILY STARTING OUR
SAVINGS ACCOUNT FOR OUR
CHILDREN, WE DIDN'T REGRET IT.
SO STARTING IT IS A REALLY GOOD
IDEA.
YOU HAVE SOME IDEAS FOR PEOPLE
TO GET STARTED.
>> YEAH.
STARTING EARLY WITH EDVEST IS
ONE OF THE BEST THINGS THAT YOU
CAN DO FOR YOUR FAMILY AND YOUR
STUDENTS.
IT'S REALLY SIMPLE.
IT'S EASY TO OPEN UP AN ACCOUNT.
IT'S ABOUT $15 ONLINE AT
EDVEST.COM.
ALL YOU HAVE TO DO IS START AN
ACCOUNT WITH $25 OR LESS.
IT MAKES AN EXCELLENT GIFT WITH
BIRTHDAYS, HOLIDAYS, ALL
DIFFERENT KINDS OF CELEBRATIONS.
IT TAKES ABOUT TEN MINUTES WITH
YOUR SOCIAL SECURITY NUMBER OF
THE CHILD.
IT'S WISCONSIN'S COLLEGE SAVINGS
PROGRAM.
IT'S BEST IF YOU CAN START
EARLY.
THERE'S NO TIME TO WASTE WHEN
YOU'RE TRYING TO BUILD UP A NEST
EGG FOR STUDENTS.
ABOUT 87% OF WISCONSIN FAMILIES
REALLY APPRECIATE GIVING THE
GIFT OF COLLEGE.
SO RIGHT NOW WE CAN JUST
ENCOURAGE PEOPLE TO TAKE THE
TIME TO GIVE US A CALL.
WE HAVE OUR EDVEST COLLEGE
SAVINGS SPECIALIST AT EDVEST.COM
ALL SET UP AND READY TO GO.
>> GREAT.
WE'RE GOING TO GO BACK TO THE
PROGRAM NOW.
APPRECIATE YOU BEING HERE AND
YOUR SUPPORT OF THIS WONDERFUL
PROGRAM.
WE'RE GOING BACK TO "OUR HOUSE"
AND CELEBRATE THIS CENTENNIAL OF
OUR CAPITOL.
- For citizens young and old, the Wisconsin Capitol
was designed to instill a sense of awe and importance.
Public buildings constructed at this time in America
followed grandiose classical examples
from Greece, Rome, and the Renaissance.
- Why did this lavish classical style
become the norm for government buildings?
A clue can be found here
at the western approach to the Capitol.
It's a statue called "Forward," and it's from
the Columbian Exposition in 1893.
Now, that might seem
unrelated to our Capitol.
But actually, it has everything to do with it.
- The Chicago World's Fair of 1893,
also known as the Columbian Exposition,
featured a temporary metropolis
conceived by America's top artists and architects,
including George Post.
- You have a gathering of major architects
who are coming together
to create what was known as the White City,
the classical core
of the Columbian Exposition.
So, they're using architecture based on classical elements.
The columns and the pediments,
and the classical orders,
and the types of decorations,
all of those elements
that you see in a classical building.
- The Chicago World's Fair
would transform this approach to designing public buildings
into a national movement.
- It's almost as if there is a standard vocabulary
that has been set for these architects
of things that people are expecting to see
in a state capitol.
- George Post would bring
the Columbian Exposition's architectural sensibilities
to Madison.
He would also bring its artists.
- The creators of the Capitol
wanted it to serve,
in part, as an art museum.
A place where people could come see
beautiful art and architecture
and be uplifted by it.
- For the Capitol's most prominent work,
Post turned to renowned American sculptor
Daniel Chester French.
- Most people know him for
the sculpture of Abraham Lincoln in the Lincoln Memorial.
He was a major, major figure in the art world at the period.
- French's sculpture "Wisconsin"
symbolizes the state motto "Forward,"
a name she is often mistakenly called.
Wisconsin stands over 15 feet tall
and weighs more than three tons.
In 1914,
she was hoisted on top of the Capitol dome,
which was a public spectacle.
- Wisconsin was placed
with such fanfare,
I mean there literally was a parade.
There were speeches and celebration
and it was quite a big deal.
*
- One of the most remarkable works of art in the Capitol
is here in the highest visible point
called the oculus.
It was painted by
one of America's most highly-regarded muralists,
Edwin Blashfield.
And it's a powerful demonstration
of his mastery of scale.
- I think that one was difficult
because you had to understand
that it was going to be 200 feet away from you
when everybody reads it.
- The mural is called "The Resources of Wisconsin."
Blashfield created it in New York City
in a studio big enough to hold the painting.
It was done on five sections of overlapping canvas
because the painting would be glued to onto a concave bowl
to give it an illusion of depth.
The canvases were attached to this surface like wallpaper
and pieced together like a puzzle.
The state of Wisconsin is represented as a woman,
a motif repeated throughout the building.
Blashfield's mural reflects
a major theme in the Capitol's art--
the rich bounty of the state.
Like the artwork of a Roman basilica
or European cathedral,
the art at the Capitol has a story to tell
about the people who made the building
and what they thought about their state
and its government.
- The artists were attempting to convey,
on Post's direction, clearly,
and probably that of the Capitol Commission as well,
a very high-minded, idealized notion of democracy.
- The themes of the artwork
are sort of the grand themes
of liberty,
justice,
government, democracy,
abundance.
- Most of the Capitol's works of art were made by men.
But there are three striking exceptions.
- This statue, called "The West,"
has been here since the Capitol's beginning.
It was sculpted by an artistic prodigy from Madison
named Vinnie Ream Hoxie.
She created it at a time when her fame was at its peak.
- At age 17, Vinnie Ream Hoxie
became the first and only sculptor
for whom Abraham Lincoln ever posed.
When she received a Congressional art commission
the following year,
Ream Hoxie was the first woman and youngest person ever
to win such an award.
In a similar entryway nearby
stands "The Genius of Wisconsin."
Oshkosh native Helen Farnsworth Mears
designed it when she was a 21-year-old artist-in-residence
at the Columbian Exposition.
"Forward" was also sculpted for the Columbian Exposition
by Jean Pond Miner from Menasha.
Miner symbolized the state
with a female figure on the prow of a ship
clasping the American flag to her hip.
The combination of world-class art,
monumental classical architecture,
and exquisite materials
came together perfectly in the Wisconsin Capitol.
By its official completion in 1917,
the state had a building
that reflected its confidence and optimism.
But this Capitol never had a grand opening.
- It took eleven years to build the building
and really no expense was spared
so you'd think that when the work finished
in the summer of 1917
there'd of been a grand celebration.
But nothing of the sort happened.
And the reason for that
was that in April of 1917,
the U.S. entered World War I
and no one thought that this was the time
for a big party
about how much money we'd just spent on a capitol.
- In the years to come, as occupants came and went
and the needs of the building changed,
the Capitol fell into decline.
- Respect for the building and its inherent grandiose-ness
just sort of diminished
as people became used to working in the space.
- There was carpeting over marble floors.
There were eight coats of paint on some of the walls.
There was a time when everything was lemon yellow
or sun yellow,
or everything was lime green.
- Between 1920 and 1980,
the Capitol as it had been envisioned
was nearly destroyed.
In 1965, matters came to a head
when First Lady Dorothy Knowles,
who was a professional interior decorator,
suggested that the Governor's conference room
ought to be painted white in order to brighten it up.
And that made the legislature think, "Well,
who has the right to do things like this to our Capitol?"
- By the 1980s,
systems like electrical, air handling,
and communication
were in serious need of update.
In 1987, it was determined
that a wholesale restoration of the building was needed
and a commission was formed.
The state would commit over a hundred million dollars
to the eleven-year project.
And it would begin in the basement.
- My shop, the electrical shop is in the south basement.
- And did that change a lot with the restoration?
The whole basement area?
- Yes.
The basement areas when I started
were like your classic cobweb kind of basement.
- When I started there, you'd bump your head a lot.
Clearance was probably about four and a half to five feet.
- The basement was given two additional feet of headroom,
systems upgrades,
and new office space.
The project would proceed
section by section
throughout the entire building.
- This is tube lights
that are above the Supreme Court chambers.
The light is picked up the entire length of the tube.
They also put, like,
a dropped ceiling diffuser plastic pieces
so that the light in the chamber
is nice and even.
When I started,
there were fluorescent strip lights, like shop lights,
about three feet off of this glass.
And so, for us to change it,
we had to put boards down
across the top of the stained glass
and just hope you didn't put your foot through
the historic antique glass.
- At times, the restoration team had to play detective,
scouring through old photographs
to uncover the building's original decorative finishes
that had been painted over.
- We did a lot of research.
Postcards, pictures of the eras.
You know, pictures of the governors
to see what was on the wall behind them.
- And paint was removed a layer at a time
to uncover detailed stencil work,
like in the public gallery of the Senate chamber.
- These walls were painted.
- Just a solid color?
- They were painted a solid color when we came in.
Some areas of the building,
the layers of paint were eight and nine layers thick.
I believe there were about four layers of paint
in this particular area.
And we went through layer by layer.
We found that gold leaf was on there.
We could actually see the gold,
but it was in very poor shape.
- Now you have detailed architectural drawings,
but when it comes to decoration
you don't have those kinds of sources?
- No. That kind of document we don't have.
- Sounds like the only way to rediscover it was to do
what you did, go through layer by layer.
- Go through layer by layer.
- Surfaces like this one
were meticulously brought back
to their original colors and pattern.
Beautiful stencil work
was also applied to other surfaces
throughout the Capitol.
Artwork was also carefully restored.
But in the Rotunda,
just getting to it posed a challenge.
A massive 200-foot-tall scaffold was built
to give the restoration team a rare close-up
of the building's most precious art.
And in the case of its four mosaics,
what they discovered was alarming.
- The whole thing was at risk of crumbling down.
- The mosaics were designed
by another Columbian Exposition artist,
Kenyon Cox.
They each consist of
about a hundred thousand pieces of glass
glued onto a canvas,
which was then attached to the walls of the Rotunda.
But over the decades, a problem developed.
- The canvas on which
the glass was adhered
was beginning to delaminate from the wall.
- There were actually parts of the mosaics
that leaned forward,
because they are not only concave,
but they lean towards the Rotunda.
- The restoration team looked to experts around the world
for help with this unique problem.
In the end, the solution was a permanent one--
using a powerful glue.
- We were able to inject at the seam lines
an adhesive material,
push it back,
hold it in place until the adhesive took hold.
And then all was left was cleaning.
- The state's commitment to the Capitol
resulted in a 21st century office building
that shined as brightly as it had in 1917.
Architect George Post did not live
to see the building's completion.
He died four years earlier, in 1913,
at age 75.
But he didn't have to see the final result
to know what he had created.
- So, this is the sketch that Post drew.
This was done years before
the different sections of the construction project happened.
It's just unbelievable how he could visualize all this
and sketch it out,
and come so close to what was the actual finished product.
- Yes, the conception is--
what we see is very nearly what we get.
- Absolutely, absolutely.
- But one thing Post never specified before he died
was which side should be considered the Capitol's front.
The building's perfectly uniform shape
doesn't yield an obvious answer.
And when it came time to place Wisconsin on top of the dome,
building supervisor Lew Porter
wondered which direction she should face.
So, he wrote Post's son, James Otis.
- James Otis Post indicated that,
he wrote rather personally,
father always felt
the building should face Lake Monona.
So, Wisconsin was situated to point in that direction.
And the Blashfield mural as well,
the base of it goes in that direction.
So, that also informs,
"What is the orientation of the building?"
which is really lost
pretty much to everybody
unless you know the story.
- ...to hear some great music.
But also to commemorate the 100th anniversary
of this beautiful capitol building
that we are all looking upon right now.
- On a warm July evening in 2017,
the community gathered on the grounds of the Capitol
to hear the Wisconsin Chamber Orchestra.
It's part of a weekly summer concert series,
but this night was special.
It was a celebration of the building's 100th anniversary.
Some of the restoration team were on hand.
- This is kind of a reunion at this location
of the crew that did the work.
You know, the two thousand of us or so
that contributed to the effort.
- We did an incredibly thorough, authentic,
well-documented process of restoration.
If you're a citizen of Wisconsin
I think you should just be impressed
of how wonderful it looks.
- The restoration of this building was important
because this is a masterpiece.
It was a complete masterpiece
designed by a master of the style.
- This is one of a kind and there's no reason
it can't last for another hundred years
if given proper care.
So, yeah, love it.
Love it to death. [laughs]
- This is the seat of our government.
The symbol of our state.
It tells our story.
And we come to this place for many reasons--
as a community,
as visitors,
as citizens.
But even through our most passionate disagreements,
we share this great capitol.
This is our legacy.
This is our house.
- It has a vitality that few buildings really do.
The building asks us as citizens of the state
to be our best and to make a solid contribution
to our state, however we best can.
- There is no other place like it.
It's just that special feeling you get when you're in it.
- This is a building for the ages
that has come to us from people
who thought highly of the state
and its government
and its institutions
and wanted to create
this monument to the state of Wisconsin.
And those ideals are still relevant today.
*
>> HI.
I'M JON MISKOWSKI, DIRECTOR OF
WISCONSIN PUBLIC TELEVISION.
I'M HERE WITH MICHAEL BRIDGEMAN.
THIS BIRTHDAY CARD TO "OUR
HOUSE" WE ENCOURAGE YOU TO CALL
RIGHT NOW AND PLEDGE YOUR
SUPPORT.
WITH A GIFT OF $8 A MONTH WE'LL
BE HAPPY TO SEND YOU A DVD.
WITH A GIFT OF $13 A MONTH, WE
HAVE THE DVD COMPANION TO THIS
BRAND NEW BOOK FROM THE
HISTORICAL SOCIETY.
AND RIGHT NOW IF YOU CALL IS A
CHALLENGE BREAK, SO UP TO $2,000
IS AVAILABLE TO CHALLENGE NEW
MEMBERS TO CONTRIBUTE TO
WISCONSIN PUBLIC TELEVISION.
SO WE'RE HOPING FOR 50 CALLS IN
THESE FEW MINUTES TO CELEBRATE
THE WORK THAT WE DO ALONG WITH
THE HISTORICAL SOCIETY IN
CELEBRATING AND REMEMBERING AND
CELEBRATING THE STORIES OF
WISCONSIN.
MIKE, YOU WANT TO TELL FOLKS
ABOUT THE PROGRAM?
>> WELL, THEY'VE SEEN THE
PROGRAM, AND SEEING IT AGAIN
IT'S REALLY A BEAUTIFUL
BUILDING.
WHAT IT REMINDS ME IS WHEN THE
BUILDING WAS BUILT, THEY USED --
THEY WERE VERY CAREFUL ABOUT
PLANNING IT, ABOUT BUILDING IT
AND THEY USED THE BEST PEOPLE
THEY COULD GET TO MAKE IT THE
FINE BUILDING THAT IT IS.
IT'S REALLY A TESTAMENT TO THE
DEVOTION THESE PEOPLE HAD.
>> I THINK THAT'S ONE THING WE
SAID.
THAT'S A BUILDING THAT YOU
REALLY CAN'T TAKE FOR GRANTED,
BUT IF YOU EVER DO, THIS PROGRAM
IS A GREAT REINTRODUCTION TO THE
BEAUTY AND THE CRAFTSMANSHIP AND
THE HEART OF THIS WONDERFUL
BUILDING.
THE PHONE NUMBER TO CALL IS
1-800-236-3636.
>> THANKS, MICHAEL.
>> HI.
I'M STEPHANIE ELKINS, ONE OF THE
MUSIC HOSTS ON WISCONSIN PUBLIC
RADIO.
AND, WOW, THIS JUST MADE ME FEEL
SO PROUD AND SO JUST GRATEFUL
FOR THE LEGACY OF THOSE WHO WENT
BEFORE US WHO INVESTED IN THIS
BEAUTIFUL BUILDING, OUR HOUSE,
OUR CAPITOL.
WE'RE CELEBRATING THE CENTENNIAL
OF THE CAPITOL AND THE SEVENTEEN
TEN SCENTENNIAL OF PUBLIC
BROADCASTING.
WE'RE ASKING YOU TO CELEBRATE
WITH US BY MAKING YOUR GIFT TO
WISCONSIN PUBLIC TELEVISION.
THIS IS A CHALLENGE BREAK, WHICH
MEANS THAT WE HAVE A POT OF
MONEY FROM EXISTING MEMBERS WHO
WOULD LIKE TO ENCOURAGE YOU TO
BECOME A NEW MEMBER OF WISCONSIN
PUBLIC TELEVISION.
AND WHEN YOU DO THAT AT THE
LEVEL OF $8 A MONTH, WE'LL SEND
YOU THE PROGRAM DVD YOU HAVE
JUST SEEN.
NOT ONLY DOES IT HAVE OUR HOUSE,
BUT IT HAS A SECOND DOCUMENTARY
AS WELL ABOUT THE RESTORATION
THAT HAPPENED IN 1999, I
BELIEVE.
AND WE LITTL ALSO HAVE A GIFT OF THE
BOOK THAT JUST CAME OUT FROM THE
WISCONSIN HISTORICAL SOCIETY
CALLED "THE WISCONSIN CAPITOL."
FOR A GIFT OF $13 WE'LL SEND YOU
BOTH THE DVD AND THE BOOK.
WE WOULD LOVE TO HEAR FROM YOU
DURING THIS 100TH ANNIVERSARY.
1-800-236-3636.
>> HELLO AGAIN.
STEPHANIE MENTIONED THE BOOK.
THIS IS THE BOOK ABOUT THE
WISCONSIN CAPITOL JUST PUBLISHED
THIS YEAR BY THE WISCONSIN
HISTORICAL SOCIETY.
IT'S A FINE BOOK.
IT'S REALLY GREAT.
AS WONDERFUL AS THE TV PROGRAM
IS, IT'S A TV PROGRAM, SO IT'S
REALLY ABOUT BEAUTIFUL IMAGES A
NAND SO ON.
YOU CAN'T SAY ALL THAT MUCH IN
THE TV SHOW, SO THIS IS A CHANCE
TO GET DEEPER WITH THIS BOOK
CALLED "THE WISCONSIN CAPITOL,"
STORIES ABOUT THE BUILDING,
RESTORATION AND PEOPLE WHO HAVE
WORKED THERE OR BEEN THERE.
IT'S A FASCINATING BOOK.
AGAIN, IT'S A SPECIAL THANK YOU
GIFT THAT WE HAVE TO OFFER I
THINK AT THE $10 A MONTH AND
ABOVE.
DON'T WORRY.
OUR VOLUNTEERS HAVE ALL THIS
INFORMATION AND WE'LL MAKE SURE
YOU GET AT THE RIGHT LEVEL AND
SHOW YOUR SUPPORT IN JUST THE
RIGHT WAY.
BUT TO DO THAT YOU HAVE TO CALL
1-800-236-3636.
>> THANKS.
REMEMBER, THIS IS A CHALLENGE
BREAK, SO FOR NEW MEMBERS YOUR
DOLLARS ARE DOUBLED WHEN YOU
CALL RIGHT NOW.
WE'RE ON OUR WAY TO 50 AND
BEYOND.
WE HAVE 16 CALLS.
PLEASE JOIN US WITH YOUR PLEDGE.
YOUR GIFT IS AN INVESTMENT
ESPECIALLY IN THE WORK THAT WE
DO ABOUT WISCONSIN, ABOUT
WISCONSIN STORIES AND WISCONSIN
PROGRAMS.
TONIGHT'S PROGRAM IS JUST ONE
EXAMPLE OF THAT.
THINK OF PROGRAMS WE SHARE WITH
OUR FRIENDS, PROGRAMS LIKE "GUYS
ON ICE," WHICH IS THE GREATEST
ICE-FISHING MUSICAL EVER,
WISCONSIN FROM THE AIR,
"WISCONSIN WINTER FROM THE AIR,"
EXTRAORDINARY CELEBRATION OF OUR
STATE.
"OUR HOUSE" IS A BEAUTIFUL
PROGRAM ABOUT THE MOST IMPORTANT
BUILDING IN OUR STATE.
CLEARLY AS YOU WATCH THE PROGRAM
THE BUILDING THAT WAS BUILT WITH
THE MOST CARE AND THIS MOST
SENSE OF OUR PLACE IN OUR
GOVERNMENT, THIS PROGRAM
CELEBRATES IT, THAT BUILDING
CELEBRATES IT.
IT'S A WONDERFUL CELEBRATION OF
WISCONSIN.
WE HOPE YOU'LL JOIN US WITH YOUR
PLEDGE AND YOUR SUPPORT WHILE
IT'S DOUBLED AT 1-800-236-3636.
>> OUR CAPITOL WILLIN BUILDING IS A
JEWEL, ALL ONLY WAWZ OF THE
PEOPLE WHO HAVE COME BEFORE.
CELEBRATE THE LEGACY OF THE
CAPITOL BUILDING BY MAKING A
GIFT RIGHT NOW.
FOR A GIFT OF $8 A MONTH WE'LL
SEND YOU THE PROGRAM DVD OF "OUR
HOUSE" THE CELEBRATION OF
WISCONSIN'S CAPITOL BUILDING,
INTIMATE, BEHIND-THE-SCENES LOOK
AT ALL OF THE DETAILS, SUCH A
BEAUTIFULLY DONE PROGRAM FROM
WISCONSIN PUBLIC TELEVISION.
FOR A PLEDGE OF $10 A MONTH OR
MORE, WE'LL SEND YOU THE BOOK
THAT JUST CAME OUT FROM THE
WISCONSIN HISTORICAL SOCIETY
PRESS CALLED "THE WISCONSIN
CAPITOL."
IT'S FULL OF HISTORY AND
PHOTOGRAPHS.
FOR A PLEDGE OF $13 A MONTH OR
MORE, WE'LL SEND YOU BOTH THE
DVD WHICH HAS AN ADDITIONAL
DOCUMENTARY ON IT AS WELL AS THE
BOOK.
WE WOULD LOVE TO HEAR FROM YOU.
THIS IS A WONDERFUL LEGACY FOR
YOUR CHILDREN, FOR YOUR FRIENDS
AND YOU CAN HAVE IT AT A TOKEN
OF OUR THANKS WHEN YOU MAKE YOUR
PLEDGE AT 1-800-236-3636.
>> WE HAVE 24 CALLS SO FAR
DURING THIS CHALLENGE BREAK,
WHICH MEANS WE'RE ABOUT HALFWAY
TO OUR GOAL OF 50 CALLS.
IF YOU CALL AND YOU DON'T GET
THROUGH, YOU CAN STAY ON THE
LINE OR YOU CAN GO TO wpt.org
AND MAKE YOUR MEMBERSHIP THERE.
ALL THESE THANK YOU GIFTS WE'VE
BEEN TALKING ABOUT, YOU CAN JUST
THEM THERE JUST AS WELL.
SO DO THAT.
YOU CAN ALSO BECOME A SUSTAINING
MEMBER BY CALLING ONE OF OUR
VOLUNTEERS OR BY GOING ONLINE.
SUSTAINING MEMBERSHIP MEANS THAT
YOU DECIDE HOW MUCH TO GIVE EACH
MONTH.
I AM A SUSTAINING MEMBER.
AND SO WHAT I DO IS I SAY I WILL
TRANSFER THIS AMOUNT OF MONEY
EVERY MONTH FROM MY CHECKING
ACCOUNT AND IT'S PAYABLE TO
WISCONSIN PUBLIC TELEVISION.
I'VE BEEN DOING THIS FOR YEARS.
I LIKE IT BECAUSE IT MAKES IT
EASY TO BUDGET MY GIVING ACROSS
THE YEAR.
AND I KNOW THAT WISCONSIN PUBLIC
TELEVISION LIKES IT BECAUSE THEY
HAVE A RELIABLE AND STEADY
SOURCE OF FUNDING COMING IN.
IT'S REALLY A TERRIFIC WAY TO
GO.
A SUSTAINING MEMBERSHIP.
OUR VOLUNTEERS HAVE THE
INFORMATION ABOUT THAT OR,
AGAIN, YOU CAN FIND IT ONLINE.
THE IMPORTANT THING IS TO
SUPPORT "OUR HOUSE," TO SUPPORT
WISCONSIN PROGRAMS, TO SUPPORT
WISCONSIN PUBLIC TELEVISION.
AND THAT'S SOMETHING YOU CAN DO
TONIGHT.
YOU CAN DO RIGHT NOW IF YOU WANT
TO GIVE US A CALL OR GO ONLINE.
WE ARE AT 29 CALLS.
WE'RE AIMING FOR 50.
BE THE NEXT ONE AT
1-800-236-3636.
>> IT'S GOOD TO SEE THE GREAT
RESPONSE AND THE CALLS POURING
IN.
THANK YOU FOR THOSE CALLS AND
THOSE PLEDGES.
ALSO WANT TO THANK OUR FUNDERS
FOR THIS PROJECT AND THIS
PROGRAM WHO MADE THEIR
CONTRIBUTION WHEN WE WERE JUST
IMAGINING IT.
WE WANT TO THANK RON AND COLLEEN
WEYERS, THE AHRENS FUND, OUR
FOLKS IN THE FOX VALLEY
COMMUNITY FOUNDATION, THE CONNIE
FAMILY IN MEMORY OF MILDRED.
WE CERTAINLY MISS HER.
EDVEST WHO WE HAD A CHANCE TO
TALK TO AND THE WORK THAT THEY
DO FOR FAMILIES OF WISCONSIN.
ELEANOR AND THOMAS WILDRECK
FAMILY.
ROGER AND LYN, THANK YOU.
AMERICAN TRANSMISSION COMPANY.
WE APPRECIATE YOUR SUPPORT FOR
THIS.
AND FRIENDS OF WISCONSIN PUBLIC
TELEVISION, WHICH IS YOU.
WHEN YOU CALL, AGAIN, VIEWERS
ARE THE LARGEST SINGLE SOURCE OF
REVENUE.
YOU CAN SEE IN THIS PROGRAM WHAT
WISCONSIN PUBLIC TELEVISION
MEANS TO OUR STATE AND CAPTURING
THIS STORY.
I WANT TO TELL A LITTLE BIT
ABOUT ELEANOR AND THOMAS.
THEIR FAMILY MADE A GIFT TO THIS
PROJECT FOR THIS WONDERFUL
COMBINATION OF REASONS.
ONE, AS THOMAS WORKED IN THE
CAPITOL.
AND HE TALKED ABOUT -- THE
FAMILY TOLD US ABOUT HOW
ELEANOR, HIS WIFE, WOULD BRING
VISITORS WHO CAME TO VISIT THEM
TO THE CAPITOL AND TOUR THIS
AMAZING BUILDING.
HIS OFFICE WAS IN THE DOME.
THEY TOLD US HOW IT WASN'T
HEATED AND IT CERTAINLY WASN'T
COOLED.
AND SO THIS IS A REALLY SPECIAL
PLACE FOR THEM.
AND BEYOND THAT THEY BOTH WERE
BORN IN 1917.
SO THIS WONDERFUL COMBINATION OF
THINGS WE CELEBRATE THEIR
CONTRIBUTIONS TO OUR STATE, TO
THEIR COMMUNITY AND THEIR FAMILY
THAT CONTINUES THIS LEGACY OF
PHILANTHROPY OF SUPPORTING THIS
PROJECT.
WE'RE PROUD TO BE PART OF THAT.
OUR CONDOLENCES GO TO THE
FAMILY.
ELEANOR JUST RECENTLY PASSED AND
IT WAS WONDERFUL TO MEET HER.
WHAT A GREAT SPIRIT.
WHAT A GREAT CONTRIBUTOR TO THIS
STATE ALONG WITH HER HUSBAND AND
HER FAMILY.
SO WE WANT TO AK THO ACKNOWLEDGE THAT
AND THANK THEM FOR THEIR SUPPORT
AND ACKNOWLEDGE THE WONDERFUL
RESPONSE WE'RE RECEIVING TO THIS
PROGRAM.
ENCOURAGE YOU TO JOIN US WITH
YOUR CALL TO 1-800-236-3636.
THANK YOU.
>> WE ARE IN THE MIDDLE OF A
CHALLENGE BREAK.
WE'RE LOOKING FOR 50 CALLS AND
WE'RE AT 41.
SO WE'RE ALMOST THERE.
THERE ARE MEMBERS WHO HAVE A
MATCHING FUND AND WE'D LOVE TO
SEE NEW HEBS.
IT YOU'VE NEVER BEEN A MEMBER,
RIGHT NOW IS A GREAT TIME TO
JOIN.
WE'RE ASKING FOR YOUR SUPPORT OF
THIS WONDERFUL KIND OF PROGRAM
WE'VE JUST SEEN, "OUR HOUSE,"
THE STORY OF THE NATION'S
CAPITOL.
WE HAVE A WONDERFUL THANK YOU
GIFT FOR YOU.
IF YOU CAN MAKE A PLEDGE AT $8 A
MONTH OR MORE AND THAT'S THE
PROGRAM DVD THAT WE HAVE JUST
SEEN.
IT'S SOMETHING THAT YOU CAN
SHARE WITH YOUR FAMILY AND WATCH
OVER AND OVER AGAIN.
FOR A PLEDGE OF $10 A MONTH OR
MORE, WE HAVE A BOOK THAT WAS
JUST RELEASED BY THE WISCONSIN
HISTORICAL SOCIETY PRESS CALLED
"THE WISCONSIN CAPITOL" AND IT'S
FULL OF HISTORY AND PHOTOS.
FOR YOUR PLEDGE OF $13 A MONTH
OR MORE WE'LL SEND YOU BOTH THE
DVD AND THE BOOK.
IT IS A TERRIFIC COMBINATION OF
ITEMS.
THIS IS A CENTENNIAL YEAR FOR
PUBLIC BROADCASTING.
IT'S A CENTENNIAL YEAR FOR OUR
CAPITOL, SOMETHING WE CAN ALL BE
SO VERY PROUD OF.
AND WE'D LOVE FOR YOU TO BE
PARTICIPATING IN ALL OF THIS
CENTENNIAL HAPPINESS.
SO GIVE US A CALL, BE PART OF IT
ALL AT 1-800-236-3636.
>> WE HAVE JUST A FEW MINUTES
LEFT IN THIS PARTICULAR
CHALLENGE BREAK.
AGAIN, OUR GOAL IS 50 GOALS.
THAT WAS 43 THAT JUST CAME IN.
THE CHALLENGE MEANS THAT YOUR
GIFT WILL BE MATCHED UP TO
$2,000 WITH A SPECIAL FUND
THAT'S BEEN SET UP.
IT'S A GOOD REASON TO CALL RIGHT
NOW.
BUT ACTUALLY THE BEST REASON TO
CALL IS BECAUSE YOU'VE ENJOYED
THE PROGRAM AND YOU WANT TO
SUPPORT THESE KINDS OF PROGRAMS,
PROGRAMS ABOUT WISCONSIN THAT
TELL THE STORY OF WISCONSIN IN A
PARTICULAR WAY.
AND I THINK THAT THIS PROGRAM
DID THAT SUCCESSFULLY.
AND I THINK YOU AGREE.
SO NOW IS THE TIME TO CALL.
THE PHONE NUMBER THAT'S ON YOUR
SCREEN AND SHOW YOUR SUPPORT FOR
WISCONSIN PUBLIC TELEVISION.
THIS IS THE 100TH ANNIVERSARY OF
PUBLIC BROADCASTING HERE IN
WISCONSIN.
IT'S ALSO THE 100TH ANNIVERSARY
OF THE CAPITOL BUILDING THAT
STANDS TODAY IN THE CENTER OF
MADISON.
TWO GOOD REASONS TO CALL AND
SHOW YOUR SUPPORT TO WISCONSIN
PUBLIC TELEVISION.
I WAS ABLE TO WORK ON THE
PROGRAM.
I ENJOY IT IMMENSELY.
I'M VERY GRATEFUL THAT WISCONSIN
PUBLIC TELEVISION DOES THIS KIND
OF STUFF, THAT THEY DO PROGRAMS
ABOUT WISCONSIN AND ABOUT OUR,
AS WE SAY, BUILT ENVIRONMENT.
THAT'S MY PARTICULAR INTEREST,
BUILDINGS, ARCHITECTURE, DESIGN.
BOY, THIS BUILDING HAS IT IN
SPADES AS I THINK YOU JUST SAW.
IT'S A GOOD REASON NOW AGAIN TO
CALL THE NUMBER THAT'S ON YOUR
SCREEN, 1-800-236-3636.
>> WONDERFUL CALLS.
WE'VE REACHED OUR GOAL OF 50.
WE WANT TO GO BEYOND 50.
WHY DON'T YOU JOIN US TO TAKE US
BEYOND OUR GOAL, 1-800-236-3636.
I WANT TO TELL ONE STORY.
WE HEARD SO MANY STORIES ABOUT
THIS.
MY FRIEND STEVE TALKED ABOUT
COMING WITH HIS PARENTS AND
GRANDPARENTS TO THE CAPITOL WHEN
HE WAS A KID FROM SCHOFIELD AND
TOURING THE CAPITOL.
THEY WENT AFTER TO GOVERNOR
DODGE STATE PARK.
THEY REALIZED THEY HAD LEFT
STEVE AT THE CAPITOL.
THEY HAD LEFT THEIR CHILD AT THE
CAPITOL BECAUSE SOMEONE THOUGHT
HE WAS IN THAT CAR AND SOMEONE
THOUGHT HE WAS IN THIS CAR AND
HE WAS IN EITHER CAR.
THEY RACE BACK AND THEY FIND
STEVE IS JUST LOVING THE
CAPITOL.
HE DID NOT NOTICE ANYBODY WAS
LEFT.
HE TOLD THEM THAT HE WAS GOING
TO WORK HERE.
HE DIDN'T WORK AT THE CAPITOL,
BUT NOW HE'S AN ARCHITECT AND
HIS OFFICE IS ACROSS THE STREET
FROM THE CAPITOL.
THIS BUILDING IS REALLY QUITE
EXTRAORDINARY AND THAT KIND OF
INFLUENCE, THE KIND OF VISION OF
THAT BUILDING CONTINUES TO
RESONATE IN OUR STATE FOR THE
CHILDREN WHO WALK IN AND JUST
FALL IN LOVE WITH THIS BUILDING
TO THE SENSE OF OUR ACCESS TO
OUR GOVERNMENT.
IT'S ALL CELEBRATED IN THIS
BUILDING AND WE REALLY FEEL
PROUD OF THE GREAT WORKS OUR
FOLKS DID OF CAPTURING AND
*