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In 1907, a young Norwegian sailor was shipwrecked in Canada, but instead of going back to Norway,

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he decided to stay in Canada.

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That decision would have a huge impact on the history of American popular art.

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The sailor's name was Amundetal.

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Soon after that shipwreck, he began working as a tattoo artist, and within a few years,

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he settled in Milwaukee, Wisconsin.

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There, he became one of the most important people in tattoo history.

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As someone who loves the history of tattoos, I had to talk to a tattoo historian in Milwaukee to learn more.

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Take us back to the beginning.

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What is a tattoo?

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A tattoo is a graphic representation.

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It is a picture that someone who is a trained professional of some type puts into your skin.

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So the ink is put into a layer of your skin with a needle.

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It is then permanent.

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The basic is a needle or a sharp stick or a thorn, some sort of sharpened object

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that gets dipped in ink and literally tapped into the skin.

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The tattoo machine was invented and patented in the late 19th century, and so by the 19th and 19th and 20s,

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there were a lot more people who could get their hands on an essentially an easier way to tattoo and a quicker way to tattoo.

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Tattoos have been around for thousands of years.

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Some of the oldest tattoos found on mummified remains date back over 5,000 years ago.

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But how do we know about this deep history?

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Can you talk a little bit about how we know about tattooing from the past?

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In lots of ways, so there are definitely some tattooed mummies out there from various time periods,

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but there are lots of representations of humans with artwork on them that now looking at them we can interpret as tattoos.

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There is evidence of Greek tattoos in like representations of people on Greek pottery.

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For some people, tattoos hold religious meaning.

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For some, tattoos have been done as a health practice.

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Some people get tattoos because they're beautiful or cool.

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With so much history, it's not surprising to learn that cultures all over the world have practiced tattooing for different reasons.

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What are we looking at?

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We are looking at some really beautiful flash drawn by the master of Milwaukee, Amunditzel.

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Flash art sheets are an important part of tattooing history.

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These sheets display designs that were available from a tattoo artist.

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But why are these designs called flash?

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Some historians think it comes from tattooing's connection to the circus.

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Tattoo artists would display their flash sheets in a flashy manner to attract the attention of potential customers.

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Other historians think the word comes from how easy it is to select a design.

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You can choose it in a flash.

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Whatever the terms origins today, flash is how we refer to pre-drawn designs that tattoo artists make available to their customers.

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How does a Norwegian man end up in Milwaukee, Wisconsin tattooing for a living?

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Great question.

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So, Dietzel was born in Norway in 1891 and his father died when he was a teenager and he became a sailor to help supplement family income.

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And he actually ended up shipwrecked in Canada and sort of stranded and then made his way to the United States.

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He was a tattoo artist who worked in Milwaukee from 1912 to 1967.

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He had learned to tattoo an onboard ship as, again, something one does is one passes the time on a ship for months at a time.

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And he was very good.

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He was, I think, if you look at images of tattoos in the past, sometimes you look at tattoos and go, oh, that's not very good.

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But Dietzel's tattoos were very, they were well done.

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He was obviously a very, very talented artist.

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But he was also someone who continually practiced his art.

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So, he took art classes.

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He took painting classes.

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And he tattooed thousands and thousands and thousands of people in Milwaukee, especially during World War I and World War II.

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He also traveled in the 19 teens with carnivals and circuses as a tattooist.

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So, he both performed as a tattoo man and he also tattooed as part of his job.

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So, he would take flash places and display it.

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And he also then displayed this flash in his store to attract customers in Milwaukee.

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Starting in the 1870s and 1880s, there were heavily tattooed people who toured as a part of circus side shows.

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At this time, it would have been really rare to see a person covered in tattoos.

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These performers traveled across the United States and Europe, displaying their tattooed bodies before paying audiences.

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Some of these tattooed people were also tattoo artists, and so part of the act would be enticing customers to come get a tattoo after the show.

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While many circus performers in side shows found community, good paying jobs and independence, many were poorly treated by circus owners.

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And while displaying tattooed people introduced audiences to this cultural practice, it didn't normalize that practice,

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meaning that these shows didn't fight negative beliefs around tattoos.

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And for a long time, this is what prevented historians from taking tattoo history seriously.

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Can you talk about the American traditional tattoo style and what that means today?

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Sure, so what we now call old school or American traditional is a very distinct style of tattooing.

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It is tattoos that have generally uniform line outlines, limited color palette.

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So green, yellow, red, blue, very flat colors, not a lot of shading, and using what we would think of as traditional, like early American, late 19th century imagery.

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Seen in, say, visual culture in your home, in magazine drawings, decorations on furniture, decorations on paper.

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They were images that they were surrounded by in daily life in the end of the 19th century, early into the 20th century.

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They became part of tattooing because they were popular images.

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What makes it American? Why did it develop here in this country?

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During World War I, during World War II, obviously lots of Americans were going off to war.

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They were getting these commemorative tattoos, and tattooers were, they were doing a lot of business.

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They were doing a lot of tattoos, and so the images got simpler. They got quicker because if you've got a line of people out the door, you've got to get them all tattooed and back to their military base.

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Almond Ditzel was a key figure in the American traditional tattoo style.

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Like Amelia said, this was originally based on images from popular sources like magazines and decorative arts.

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The designs were then simplified for speed during wartime years, when thousands of new soldiers came to tattoo shops like Ditzel's for a tattoo.

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Ditzel's art spread through more than just his images.

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He also trained other tattoo artists who became famous in their own right.

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This relationship between a teacher and a student is an important part of how tattooing style is maintained and developed over decades, and has continued today.

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Wait a minute, Casey, that one looks a lot like the one you have on your arm.

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Did you choose that specific tattoo?

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I did, so I've always loved American traditional tattooing because of its connection to history, and because I'm from Wisconsin, and I love Wisconsin so much, the minute that I learned about Ditzel, I knew that I wanted a Ditzel girl.

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In modern American culture, tattoos were historically stigmatized.

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That means they were looked down on or thought of as a lesser art form not worthy of study.

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Sometimes that stigma got so bad that tattooing was outlawed.

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In Milwaukee, tattooing was made illegal from 1967 all the way until the late 1990s.

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So we're standing here in front of this flash sheet, and we keep talking about how this is art, and someone was thoughtful enough to save this.

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But I think when people hear art, they think of art in museums and paintings, so why wouldn't something like this have been thought of in the same way?

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This is art. These are original, hand-drawn creations, but there is definitely still a stigma.

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But I would also say that there is a lot of art out in the world that isn't in museums, and that doesn't make it less.

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That just makes it art not in museums.

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Tattooing is one of humanity's oldest art forms, but for a long time historians ignored them, or stigmatized them.

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They're an example of how bias can get in the way of studying and understanding history.

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In American visual culture, tattoos are essential for understanding many of our common symbols.

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Flags, ships, anchors, all owe something to tattoo artists like Milwaukee's Aum and Ditzel.

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But there are still lots of topics that need more study.

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What are some topics you're passionate about that you think more people should study?

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Maybe you can become the expert.

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I'm so lost in school.

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I know, I'm like, I've never been asked to do that.

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Yeah.

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I forgot really normally.

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Did you do art today?

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Thank you.

