I'm the host of morningkins.
Public Radio, former host
are about to have and enjoy
This land is your land. It is
are going to enjoy theand we
The Smothers Brothers.llins,
They are coming tongston Trio.
be in Madison in February.o
And for a gift, we'll tell
that later. You can be inut
wonderful music from thehe
going to be enjoying thee
Trio in just a moment on
Your Land. We are soand Is
watching. We're hoping that
along this evening with all
sure appreciate your and we
Wisconsin. You can makeBS
your gift at (800) 236-3636.
?
ANNOUNCER: Judy Collins,
Tom and Dick, the Smothers Brothers,
the Kingston Trio,
the Highwaymen,
the Brothers Four,
Glenn Yarbrough,
the Limeliters,
Roger McGuinn,
Barry McGuire,
Randy Sparks and the Minstrels
unite for history
in a special celebration of American folk music...
next on PBS.
?
? Rows and flows of angel hair
? And ice cream castles in the air ?
? And feather canyons everywhere ?
? I've looked at clouds that way ?
? And now they only block the sun ?
? They rain and snow on everyone ?
? So many things I would have done ?
? But clouds got in my way
? I've looked at clouds from both sides now ?
? From up and down and still somehow ?
? It's clouds' illusions I recall ?
? I really don't know clouds at all ?
?
? Moons and Junes and Ferris wheels ?
? The dizzy dancing way you feel ?
? When every fairy tale comes real ?
? I've looked at love that way
? And now it's just another show ?
? You leave them laughing when you go ?
? And if you care, don't let them know ?
? Don't give yourself away
? I've looked at love from both sides now ?
? From give and take and still somehow ?
? It's love's illusions I recall ?
? I really don't know love at all ?
?
? Tears and fears and feeling proud ?
? To say "I love you" right out loud ?
? Moons and Junes and Ferris wheels ?
? I've looked at life that way
? And now old friends are acting strange ?
? They shake their heads and say I've changed ?
? Well, something's lost but something's gained ?
? In living every day
? I've looked at life from both sides now ?
? Win and lose and still somehow ?
? It's life's illusions I recall ?
? I really don't know life
? I really don't know life ?
? At all
[applause and cheering]
Thank you. Mwa!
[applause and cheering]
Thank you. You are wonderful.
Thank you.
I'm very proud to be part of this special gathering
and to be able to introduce to you some old friends of mine.
Please welcome Tom and Dick Smothers,
the Smothers Brothers.
I love 'em! I love 'em!
[applause and cheering]
TOM: Wow. Thank you so much.
[applause]
We...
We have known Judy for so long.
We first met her in 1960.
It's been 40, 42 years now we've known each other.
DICK: Our very first duet job in Aspen, Colorado.
JUDY: Yes, that's right. In Aspen, the Limelight.
DICK: At the Limelight.
JUDY: You were just, just wonderful there.
I loved you there, and I love you now.
DICK: So were you.
Who knew?
JUDY: Who knew where the time would go?
TOM: And you sound better than ever.
Ladies and gentlemen, Judy Collins.
DICK: Isn't she fantastic?
[applause]
She's coming back.
TOM: Judy Collins.
[applause]
TOM: You know, our musical journey begins...
this next musical journey began in San Francisco,
and they were the first folk group
that really made the record,
I mean, radio play was huge with this group.
DICK: Listen, there had been some hit folk songs
prior to these guys.
Early '50s, remember the Weavers?
"Goodnight Irene" and that?
But you know what?
Pete Seeger and the bunch, they were fantastic.
But it didn't catch on with the young folk.
It took this group to open the door to the colleges,
because they were all college kids in the mid-'50s,
out of San Francisco.
In fact, they had a big break at the same club
that Tommy and I opened at in San Francisco
called The Purple Onion,
a little basement bistro across the street from The Hungry Eye.
TOM: These guys now are well into their eighties or nineties.
These are old... [laughter]
DICK: They're amazing.
No, they're not quite that old, Tom.
TOM: Well, they...
DICK: No, they're not that old. Ha ha ha ha!
They certainly look it, and they lived a...
TOM: One of them passed away and came back three times.
Bob Shane.
DICK: Quite honestly, without the success of this trio,
there never...show business would have been different.
The musical business would have been vastly different.
They opened the door for us,
The Limeliters, Peter, Paul and Mary,
folk rock, everything else.
TOM: We wouldn't be around if it wasn't for this group.
DICK: We would have been around,
but we wouldn't have been doing this, probably.
Ladies and gentlemen, meet the Kingston Trio!
[applause and cheering]
?
You're expected to sing along with this one.
Throughout history, there have been many songs
written about the eternal triangle.
This next song tells a story of a Mr. Grayson,
a beautiful woman,
and a condemned man named Tom Dooley.
When the sun rises tomorrow, Tom Dooley must hang.
?
? Hang down your head, Tom Dooley ?
? Hang down your head and cry
? Hang down your head, Tom Dooley ?
? Poor boy, you're bound to die ?
? I met her on the mountain
? There I took her life
? Met her on the mountain
? Stabbed her with my knife
All together now!
? Hang down your head, Tom Dooley ?
? Hang down your head and cry
? Hang down your head, Tom Dooley ?
? Poor boy, you're bound to die ?
? This time tomorrow
? Reckon where I'll be
? Hadn't have been for Grayson
? I'd a been in Tennessee
? Hang down your head, Tom Dooley ?
? Hang down your head and cry
? Hang down your head, Tom Dooley ?
? Poor boy, you're bound to die ?
? This time tomorrow
? Reckon where I'll be
? Down in some lonesome valley
? Hangin' from a white oak tree ?
? Hang down your head, Tom Dooley ?
? Hang down your head and cry, boy, well ?
? Hang down your head, Tom Dooley ?
? Poor boy, you're bound to die ?
? Hang down your head, Tom Dooley ?
? Hang down your head and cry
? Hang down your head, Tom Dooley ?
? Poor boy, you're bound to die ?
? Poor boy, you're bound to...
? Die
[applause and cheering]
Thank you very much.
Here's a song that we traded from a group in 1963.
We game them a song called "Lemon Tree,"
and they gave us this song.
The group was Peter, Paul, and Mary.
?
? Where have all the flowers gone? ?
? Long time passing
? Where have all the flowers gone? ?
? Long time ago
? Where have all the flowers gone? ?
? Young girls picked them, every one ?
? When will they ever learn?
? When will they ever learn? ?
?
? Where have all the young girls gone? ?
? Long time passing
? Where have all the young girls gone? ?
? Long time ago
? Where have all the young girls gone? ?
? Gone to young men, every one ?
? When will they ever learn?
? When will they ever learn? ?
?
? Where have all the young men gone? ?
? Long time passing
? Where have all the young men gone? ?
? Long time ago
? Where have all the young men gone? ?
? Gone to soldiers, every one ?
? When will they ever learn?
? When will they ever learn? ?
?
? Where have all the soldiers gone? ?
? Long time passing
? Where have all the soldiers gone? ?
? Long time ago
? Where have all the soldiers gone ?
? Gone to graveyards, every one ?
? When will they ever learn?
? When will they ever learn? ?
?
? Where have all the graveyards gone? ?
? Long time passing
? Where have all the graveyards gone? ?
? Long time ago
? Where have all the graveyards gone? ?
? Gone to flowers, every one
? When will they ever learn?
? When will they ever learn? ?
?
[applause]
TOM: In the early '60s,
folk music was being played from coast to coast,
and a 19th-century folk song
was the number-one record in America.
DICK: That's right. We even put it in one of our albums.
Please welcome the Highwaymen!
Alright!
[applause]
[whistling]
? Michael, row the boat ashore
? Hallelujah
? Michael, row the boat ashore
? Hallelujah
? Sister, help to trim the sail ?
? Hallelujah
? Sister, help to trim the sail ?
? Hallelujah
? Michael, row the boat ashore
? Hallelujah
? Michael, row the boat ashore
? Hallelujah
? The Jordan River is chilly and cold ?
? Hallelujah
? Chills the body but not the soul ?
? Hallelujah
Let me hear you.
? Michael, row the boat ashore
? Hallelujah
? Michael, row the boat ashore
? Hallelujah
? The river is deep, the river is wide ?
? Hallelujah
? Milk and honey on the other side ?
? Hallelujah
? Michael, row the boat ashore
? Hallelujah
? Michael, row the boat ashore
? Hallelujah
[whistling]
[applause]
Hello. I'm Camille Dixon,
and I am singing right along with you at home
to this incredible music.
And with me is TJ Lubinsky,
the executive producer of "This Land is Your Land."
TJ, I don't know how you put together this fantastic show.
Please tell us how it came about.
TJ: Well, for me,
we had started making the doo-wop and R&B specials
for public television,
and my main motivation in that
was always to find songs that had great lyrics
and sharing that at home with the audience.
I was driving home one night
and just by happenstance
trying to tune in
an old AM radio in the car,
you try to get a station
late at night,
and just some station
came through,
I came across this one station,
and they were playing "500 Miles To Go,"
and I heard this,
and I started crying.
I mean, I didn't understand what folk music was
because I never heard it,
it wasn't available to me,
and this came through,
and just like that, the song went away and the signal faded.
And I needed to discover more about this.
And so then you hear the music of the Highwaymen
singing "Michael,"
which ended this segment,
and the Kingston Trio with Bob Shane,
one of his great performances.
And starting with Judy Collins,
the Smothers Brothers.
These guys were an absolute riot.
CAMILLE: Oh, yes.
TJ: So all the performers came together
and they understood the vision of preserving and archiving
and presenting it,
kind of doing it one more time.
But it was here and made possible
because of financial support from contributors
of public television.
CAMILLE: And because
it's on public television,
we need to hear from you
with your support right now.
So call the number
on your screen
or you can go to our secure website
to make your pledge right now.
And we have some great ways of saying thank you.
Let's find out about those right now.
ANNOUNCER: Call in now
and you can choose
this special 3 DVD set
of folk rock favorites,
made just for PBS supporters
like you.
? 'Cause there's a meetin' here tonight ?
? There's a meetin' here tonight ?
? I know you by your friendly face ?
? There's a meetin' here tonight ?
? I know you by your friendly face ?
? There's a meetin' here tonight ?
? No, he never returned
? And his fate is still unlearned ?
? He may ride forever
? 'Neath the streets of Boston
? He's a man
? Who never returned
? I once was lost
? But now I'm found
? Was blind
? But now I see
ANNOUNCER: Or with your contribution,
you can choose this special
4 CD set of original folk,
folk rock,
and folk rock era recordings.
? I've looked at clouds
? From both sides now
? From up and down
? And still somehow
? I really don't know clouds
? At all
? It takes a worried man
? To sing a worried song
? It takes a worried man
? To sing a worried song
? The answer, my friend
? Is blowin' in the wind
? The answer
? Is blowin' in the wind
? Still I wish...
ANNOUNCER: This special PBS package
includes "The Best
of Peter, Paul, and Mary:
Ten Years Together,"
with your call right now.
? We never did
? Too much talking anyway
?
? I'd hammer out danger
? I'd hammer out a warning
? I'd hammer out love between
? My brothers and my sisters
? All over this land
? So kiss me and smile for me
? Tell me that
? You'll wait for me
ANNOUNCER: If you can increase your gift,
we'll say thanks
with both the 3 DVD set
and 4 CDs
of original folk rock hits.
? We'll sing in the sunshine
? Saturday night
? We all get together
? On Saturday night
? Walk right in
? Sit right down
? Daddy, let your mind roll on
I think one of our
fabulous CD collections
we've ever put together.
It really is so many favorites
from the folk era
and the folk rock era,
and the big surprise this time
with the great
Peter, Paul, and Mary CD
which will be included when you
go to your phone right now.
Support the station.
$12.50 a month or $150,
and we are talking original recordings
by the original artists,
and ultimately you're supporting
public television's ability
to make sure the folk sounds
are preserved and presented
free of charge for you,
your friends, your community,
your neighborhood, and the
meaning and the achievement
of the folk movement.
Please, call now and allow us
to continue the effort.
We thought this was a good idea
for PBS and to have,
bring folk singers together,
and there's a lot of,
in America right now,
at this particular time
there's a lot of retrospective
looking back on our history,
looking back on the times
that we considered warm and
fuzzy and good and wholesome.
So, bringing these people back
that had a great influence
on a lot of adults that are out there now,
particularly the young people won't know who they are at all.
But to hear Barry McGuire with the Christy Minstrels
and the Trio
and the Brothers Four...
all these things were
music of our lives.
DICK: We tend to forget
and put in the background
of our subconscious
our times that we had when we
were teenagers or college times.
And to see these people still
surviving and looking good...
TOM: A little grayer,
a little overweight.
DICK: That's true.
But I think this is
such a fresh look
at something on the box,
on the television screen
that they haven't seen
for quite a while.
TOM: I can't imagine where
anybody would see folk singers
on television now except PBS.
Hearing this folk music
takes us back to a time of guys
with long hair, bell-bottoms,
acoustic guitars, and AM radio.
Only PBS
can bring back the memories
and make us feel young again.
So keep the music playing
by making a donation
to your PBS station.
It takes the support of you,
your friends, and neighbors
to help keep My Music
and all the great series
you look forward to seeing,
like "Masterpiece,"
"Antiques Roadshow,"
the PBS Kids line-up,
and so much more.
You're the one who keeps it coming here on this station.
Now it's time for you to help keep public television
a vital part of your life and your community.
Call in or log on
and do your part.
Become a sustaining contributor
when you give.
Your ongoing monthly support
truly makes a difference.
? This I know
?
ANNOUNCER: Support this PBS station now
and we'll say thanks
with 4 CDs
of folk rock favorites
with your gift.
You know, this is one of
my absolute favorite shows.
We did it just following
our doo-wop specials.
When I heard the music of folk,
early folk, and folk rock,
I knew that we had to bring
these artists together
to public television.
It was the only place
that would allow us
to present the artists
coming back together,
singing all their favorites,
and actually singing new songs.
When you join us at $150,
your one-time-only gift,
or $12.50 a month with your
ongoing monthly contribution,
wow, we have got
a great collection.
This is our entire
"This Land is Your Land"
plus the sequel show,
"This Land is Our Land"
DVD library
that will come your way.
And we're talking so many great
performances we've seen so far.
"Sweet Judy Blue Eyes,"
who taught us to see things from "both sides now."
Kingston Trio with "Tom Dooley."
"Where Have All the Flowers Gone?"
The Highwaymen, "Michael."
Now, that's the main show that we're watching.
In the additional 2 DVDs,
we've got more from Judy Collins--
"In my Life," "Someday Soon."
Serendipity Singers,
one of my all-time favorites,
? Uh-oh, oh, no
? Don't let the rain come down
? Oh, no
This is just terrific.
What a great folk library.
It's all here, the 3 DVD set,
"This Land is Your Land,"
"This Land is Our Land,"
$150 or $12.50 monthly
with your ongoing contribution
to this station.
Please, do not wait.
Call right now
and allow the tradition
to continue here
on non-profit non-commercial
educational public broadcasting.
with Wisconsin Public Radio.
Are you singing along? It's.
enjoy this music. One of my
all time. And we have aof
The Kingston Trio is coming
for a level of $15 a monthd
reserved seats. It is seats,
seats are reserved. You can
the show. It's at theenjoy
are contributing this. It's
you to support PBSraging
interested in seeing the
Madison, this iteration of
love to hear from you atuld
a month or $180 in one fell
making that gift, you're
Wisconsin. It's really
kinds of music programs on
music that we all love and
classics and jazz and all
appreciate on PBS Wisconsin.
This program is reallyt you.
the Smothers Brothers and
face, but most importantly,
you feel great. Anotherake
really great. Being afeel
to PBS Wisconsin feelsonor
gift at (800) 236-3636.t
pbswisconsin.org. You'llt
see there about thiseed to
your tickets. We are goingt
Enjoy the music. Thank you
so much for your support.
DICK: Glenn Yarbrough!
[applause]
Thank you.
?
? Some men climb a mountain
? Some men swim the sea
? Some men fly above the sky ?
? They are what they must be
? But, baby, the rain must fall ?
? Baby, the wind must blow
? Wherever my heart leads me
? Baby, I must go
?
? I do not love for silver
? I do not love for gold
? My heart is mine to give away ?
? It never will be sold
? But, baby, the rain must fall ?
? Baby, the wind must blow
? Wherever my heart leads me
? Baby, I must go
? I am not rich or famous
? But who can ever tell?
? I don't know now what waits for me ?
? Maybe heaven, maybe hell ?
? But, baby, the rain must fall ?
? Baby, the wind must blow
? Wherever my heart leads me
? Baby, I must go
? Must go
Thank you very much.
[applause]
Thank you. Thank you.
This is the best part of the show for me
because I get to introduce the Limeliters.
Many, many years ago when I decided to--
actually I was deciding to quit singing at the time,
uh, but it didn't work out that way.
But when I left,
the Limeliters said they were gonna replace me.
And I said-- in my own mind I said,
"Yeah, you're never gonna replace me."
Well, I got news for you who think you are irreplaceable.
They not only replaced me,
but they replaced me with a young man who can play guitar
a hell of a lot better than I can,
sings better than I do,
and higher,
he's young,
handsome,
skinny.
[laughter]
Your friends, you know it, they know it,
the Limeliters!
[applause]
?
? Some come to dance, some come to play ?
? Some merely come to pass time away ?
? Some come to laugh, their voices do ring ?
? But as for me, I come for to sing ?
? 'Cause there's a meetin' here tonight ?
? There's a meetin' here tonight ?
? I know you by your friendly face ?
? There's a meetin' here tonight ?
? I know you by your friendly face ?
? There's a meetin' here tonight ?
? Great God, I'm glad you came along ?
? Hope all my brothers and my sisters here ?
? Will help me sing this song
? There's a meetin' here tonight ?
? I know you by your friendly face ?
? There's a meetin' here tonight ?
? There's a grin on every upturned face ?
? And a smile in every eye
? Brothers and sisters, let me hear you shout ?
? Let me hear your joyful cry
? There's a meetin' here tonight ?
? I know you by your friendly face ?
? There's a meetin' here tonight ?
? I know you by your friendly face ?
? There's a meetin' here tonight ?
? I know you by your friendly face ?
? There's a meetin' here tonight ?
? Great God, there's a meetin' here tonight ?
? Great God, I know you by your friendly face ?
? There's a meetin' here tonight ?
GLENN: The Limeliters!
[applause]
You're a lovely audience,
and it's really our pleasure to play for you.
Before we do this final song,
I would just like to congratulate all of you
for helping PBS and, uh, with your pledges,
with your time, with your effort,
and we hope you'll continue to pledge
and that all of your family will continue to pledge
because there's nothing like PBS, there really isn't.
We must have it, we love it,
we can't live without it.
And so now, we would like to do a song that...
Well, it's... it comes out of the fact
that ever since we started 43 years ago,
we've prided ourselves, we the Limeliters,
on remaining current through the years,
and this song, which we just learned recently,
seemed so apropos that we couldn't resist
putting it into the repertoire immediately,
and we especially love it
because it sounds exactly like one of our old songs.
Here it is.
?
? This is our up-tempo folk song ?
? The one we use to start the show ?
? Our up-tempo folk song
? The kind every folk singer ought to know ?
? The kind that sets your toes a-tapping ?
? And makes you want to sing along ?
? The one we stole from The Kingston Trio ?
? A generic up-tempo folk song
? This is the middle of our up-tempo folk song ?
? It's called the second verse
? You've got to sing it warm and tender ?
? To make it sound different from the first ?
? This is where we look at all the people ?
? Just to see who is around
? And if we sing the second verse softly ?
? The crowd usually quiets down ?
? This is the bridge, and it's really exciting ?
? It has a different blend
? The purpose of the bridge is to get from the middle ?
? To the beginning of the end
? Of this, our up-tempo folk song ?
? The end is drawing near
? And by now you're so gosh-darned excited ?
? You want to stand right up and cheer ?
? And say hooray for the folk survivors ?
? May they sing forever strong
? And for the land of the brave and free ?
? Generic up-tempo folk song
?
Ah, listen to that generic instrumental.
?
? And say hooray for the folk survivors ?
? May they sing forever strong
? May they shed a tear each time they hear ?
? A generic up-tempo folk song
But wait! We forgot the Limeliter ending.
? A generic
? Up-tempo
? Folk song
[applause and cheering]
DICK: It's great being back on campus here
in Pittsburgh at Carnegie Mellon,
just like the good ol' days.
TOM: Yeah. Did you--
JUDY: You guys went to school?
TOM: No, I went to school-- I graduated--
DICK: It sounds like we went to school.
We didn't go to school here.
TOM: I graduated from Carnegie Mellon.
DICK: You didn't graduate from anywhere.
JUDY: Did you?
TOM: Yeah, I did. In 19...what? 64.
I graduated in '64.
DICK: That's not true.
JUDY: You went to school after we worked together in Aspen?
TOM: Yeah, I came back, got a Master's here.
DICK: Tom, you're acting like a stupid fool.
TOM: That's my job.
Our next fraternity brothers--
They met--these guys were fraternity brothers.
They met on the campus of University of Washington.
And I remember when they first came out,
their songs, they captured...
I just liked the way their harmony was so simplistic
and pure and true.
DICK: Great sound, and they were a huge smash.
Ladies and gentlemen, it's the Brothers Four!
TOM: Yeah.
[applause]
?
? Once there were green fields
? Kissed by the sun
? Once there were valleys
? Where rivers used to run
? Once there were blue skies
? With white clouds high above
? Once they were part of that everlasting love ?
? We were the lovers
? Who strolled through green fields ?
?
? Green fields are gone now
? Parched by the sun
? Gone from the valleys
? Where rivers used to run
? Gone with the cold wind
? That swept into my heart
? Gone with the lovers
? Who let their dreams depart
? Where are the green fields
? That we used to roam?
?
? I'll never know
? What made you run away
? How can I keep searching
? When dark clouds hide the day? ?
? I only know
? There's nothing here for me
? Nothing in this wide world
? Left for me to see
? But I'll keep on waiting
? Till you return
? I'll keep on waiting
? Until the day you learn
? You can't be happy
? While your heart's on the roam ?
? You can't be happy
? Until you bring it home
? Home to the green fields and me ?
? Once again
?
[applause]
Thank you.
What a nice crowd.
[applause]
Thank you.
[applause]
You know what?
Here's a great one.
If you want to sing along with us on this one,
you're sure welcome to.
Thanks.
?
? Try to remember the kind of September ?
? When life was slow
? And, oh, so mellow
? Try to remember the kind of September ?
? When grass was green
? And grain was yellow
? Try to remember the kind of September ?
? When you were a tender and callow fellow ?
? Try to remember and if you remember ?
? Then follow
? Follow
? Try to remember the kind of September ?
? When no one wept except the willow ?
? Try to remember the kind of September ?
? When dreams were kept beside your pillow ?
? Try to remember the kind of September ?
? When love was an ember about to billow ?
? Try to remember and if you remember ?
? Then follow
? Follow
? Deep in December it's nice to remember ?
? Although you know the snow will follow ?
? Deep in December it's nice to remember ?
? The fire of September that made us mellow ?
? Deep in December our hearts should remember ?
? And follow
? Follow
TJ: Just an emotional and touching song
when you hear the Brothers Four,
starting with "Greenfields,"
but "Try to Remember" to me is just one of those songs that--
CAMILLE: Absolutely.
TJ: No matter where you are
touches your heart
and really makes you think about the world, the world around us,
content, meaning to lyrics,
changing the world,
and what you, as the audience, in your life's experience
has done to make the world a better place.
That is all together in this
last segment that we saw.
And also a poignant moment
in the show,
Glenn Yarbrough came out to sing
"Baby, the Rain Must Fall."
We loved that, right?
But then he rejoined the Limeliters,
where he started,
to sing "There's a Meetin' Here Tonight."
So as the song says, there is a meeting here tonight
on your public television station,
and it's preserving
and presenting this music,
so important to you but here
because of your support.
CAMILLE: And we need
your support right now
to make sure that this music
stays alive.
Call the number on your screen
or go to our secure website.
I know what you're talking about with the meaning
because when these songs were in their original form,
they really spoke to us,
all of us who were there to hear them
and to know how much they meant to us at that time.
But I think, with the wisdom of age,
their meaning has deepened even more.
TJ: When you think about public television,
this is the only place that's taken decades' commitment
to preserving folk, folk rock,
folk music on television.
No one else that I know
has done that.
You can't find this
on radio stations anymore.
It's here
because of your support.
You've been here year after year
after year for this station.
Together we have made this world
a better place,
and we're asking you to continue that
simply by going to the phone, calling right now,
and when you do,
there's some great memories
we'll say thanks with.
ANNOUNCER: Call in now
and you can choose
this special 3 DVD set
of folk rock favorites,
made just for PBS supporters
like you.
? The gypsy rover
? Come over the hill
? Down to the valley so shady
? He whispered and he sang
? Till the green woods rang
? And he won the heart
? Of a lady
If you know it, or even if you don't.
? Ah dee do ah dee do da day
? Guantanamera
? Guajira Guantanamera
? Guantanamera
? Guajira Guantanamera
? If you're going
? To San Francisco
? Be sure to wear
? Some flowers in your hair
ANNOUNCER: Or with your contribution,
you can choose this special
4 CD set of original folk,
folk rock,
and folk rock era recordings.
? But, baby
? The rain must fall
? Baby, the wind must blow
? Wherever my heart leads me
? Baby, I must go
? Time, time
? Where did you go?
? Has anybody here
? Seen my old friend Abraham?
? Can you tell me
? Where he's gone?
ANNOUNCER: This special PBS package
includes "The Best
of Peter, Paul, and Mary:
Ten Years Together,"
with your call right now.
? I dig rock and roll music
? And I love to get
? The chance to play
? And sing it
? Puff the Magic Dragon
? Lived by the sea
? And frolicked
? In the autumn mist
? In a land called Honah Lee
? 500 miles
ANNOUNCER: If you can increase your gift,
we'll say thanks
with both the 3 DVD set
and 4 CDs
of original folk rock hits.
The legacy of folk music is here with the singers of the era.
Our My Music special
is bringing back so many of the original performers
singing their songs again
and sharing new folk songs with you in the concert.
Only PBS has demonstrated
a commitment to folk music on television
throughout the decades.
It's your friends and neighbors
that make PBS possible,
so join them.
And when you do,
become a sustaining donor
by making an ongoing monthly contribution.
Just call the number on your screen
or visit us online.
Hand in hand, we've built PBS,
and we can keep its roots flourishing into the future.
Join in the effort
and support the legacy of music
you can only find here on PBS.
Call in now or make
your contribution online.
Well, you know, back
in the '50s and '60s,
we were, first of all, we were
college students at the time.
University of Washington,
Seattle.
And it's still where we live,
as a matter of fact.
It's been home all these years.
So in those days,
there was about two, three
choices of music on the radio.
The radio was pretty...
I mean, pop music was
Percy Faith and Perry Como,
and there was a little bit
of rock 'n roll,
a little bit of doo-wop,
things like that
from the East Cost.
But on the West Coast
there began to be a lot of
sort of calypso music
and sort of party music,
things like that,
an it was easy to sing.
So we sort of joined the bandwagon
and then discovered that somehow it touched a nerve.
? Try to remember the kind of September... ?
? Follow
This concert that PBS has organized
is very important
because it may be--
you know, we're bringing
a lot of people back together
who have not sung together on the same stage
for a very long time.
All of us have seen PBS, right?
Everybody has watched--
even people that say, well,
I don't know if I like PBS.
Well, everybody's watched,
and everybody's seen
those moments
when the truth comes up
to the top of everything.
They say, "Here it comes.
They're gonna ask me for money."
Well, you know, this is the time
when, as a viewer now
I get to sit on this side
and say, you know, this is
very important stuff.
The way this is financed
is not through the sale of another carload of things
or another addition of something to put in the marketplace.
This is supported by monies and by funds that are pledged
by people and by corporations
and by foundations and by funds,
and so it's something
that, you know,
when you divide it by the
number of days you watch,
it's a pretty
reasonable investment.
And it's an investment
we should all make.
It really is.
ANNOUNCER: Support this PBS station now
and we'll say thanks
with 4 CDs
of folk rock favorites
with your gift.
? Did you ever have to
? Make up your mind?
? And pick up on one
? And leave the other behind?
? It's not often easy
? And not often kind
? Did you ever have to
? Make up your mind?
? Abilene
? Prettiest town
? I've ever seen
? It's just my
? Funny way of laughing
? Yes, my funny way
? Of laughing
? Your leavin'
? Didn't bother me
? I'm a man of means
? By no means
? King of the road
ANNOUNCER: This special PBS package
includes "The Best
of Peter, Paul, and Mary:
Ten Years Together."
? How many roads
? Must a man walk down
? Before they call him a man?
? The answer, my friend
? Is blowin' in the wind
? The answer
? Is blowin' in the wind
Preserving the folk and
the early folk rock days
from sing-a-longs
to jug band music
to just when the electric guitar
started to get involved
with the sound...
This was such an important special that we did.
We're asking you, please,
show your support
to the station.
$150 or $12.50 monthly
is a great way to do it.
Three-show trilogy
that will come your way,
including all the amazing music
that we're feeling and experiencing together
on public television.
Please, do not wait.
Pick up your phone.
Join us right now.
All you're seeing
from the Kingston Trio
to the Brothers Four,
all that's ahead for public
television and folk music,
it's all possible
because of you.
Please, pick up the phone
and join us right now.
We're waiting for you.
? California dreamin'
? On such a winter's day
with Wisconsin Public Radio.
just been wonderful to It's
favorite folk specials ofmy
really special treat. a
to Madison in February, and
or more, you can have seats,
general admission, but the
go in, have a drink, enjoyn
Atwood Music Hall and they
their way of encouragingt's
Wisconsin. So if you are
Kingston Trio live inthe
the Kingston Trio, we would
(800) 236-3636. That's $15
swoop. And when you're fell
also supporting PBSou're
important to keep these
the air, not just folks on
sing along to, but the and
of the programing that you
We cannot do it without you.
special. Judy Collins and
always put a smile on my
music to lift you up, make,
thing that makes you feel
contributor. Being a donor
wonderful. You make that
You can also go online at
see everything you need to
concert and how you can get
right back to the program.
so much for your support.u
[applause]
TOM: You guys are crazy.
DICK: You're unruly What an unruly audience.
BOTH: Thank you.
TOM: And thank you, Judy.
DICK: We want to thank Judy for that wonderful introduction,
and we're so happy to be here, PBS fundraising special,
and any folks watching and you want to feel motivated
to join and help underwrite PBS,
it's a great thing.
Before--this is a great musical trip down folk music history,
and we're going to do a song, I'm going to do a song
that pre-dates by far anything sung here tonight.
In fact, this song we're going to sing
is from a very ancient form of music that's over 600 years old.
?
? Do you happen to know of a maiden in need ?
? Of a sweetheart, here's one who is anxious to please ?
? It's a shame that a handsome young fellow like me ?
Should maybe we stop that?
[laughter]
You didn't come in?
TOM: I don't know the words.
[laughter]
DICK: You don't have to know the words to sing this song.
TOM: Then I was doing a good job.
DICK: You weren't singing.
TOM: I don't know the words. DICK: You weren't singing!
TOM: But I can't sing the song if I don't know the words.
DICK: Yes, you can.
TOM: Not if I don't know the words.
DICK: Yes, you can. Yes, you can.
And that, ladies and gentlemen, is the magic of the madrigal,
why they've been around for over 600 years
and sung today exactly as when they were created.
How can you do that?
Well, you see, when madrigals were created in Europe
over 600 years ago,
they was no public education.
So most people were illiterate.
They couldn't read or write either.
And they--[laughter]
They didn't let that stop them, and here's what they did.
TOM: Wait a minute.
What do you mean, "they couldn't read or write either"?
What do you mean, "They couldn't read or write either"?
DICK: What did they mean by that?
TOM: What did you mean by that?
DICK: When you're illiterate you can't read or write either.
[laughter]
TOM: OK.
DICK: Alright.
[applause]
DICK: I'm glad we cleared that up.
So when they could not,
when they could not read the words to sing,
but yet they wanted to join in,
what they did is they started making up their own words.
First it was called nonsense words or nonsense lyrics,
and after a couple hundred years became standardized
into the well-known and quite popular madrigal fa-la-las
that we all know and love today.
So whenever you hear a musical phrase
that goes something like this...
? With a fa-la la-la-la-la-la la-la ?
that's where it came from,
and it enabled people to sing songs without knowing the words.
TOM: That's great.
DICK: You got the concept. Do you understand the concept?
TOM: So I can sing the song without knowing
by doing the fa-la-las.
DICK: That's right. So, will you sing the fa-la-las?
TOM: Yes.
DICK: And I'll do the second verse.
?
? The time it is short, there is none I can spare ?
? The nightingale's song soon will die in the air ?
? Don't you think, dearest maiden ?
? You better agree
? To make love whilst the nightingale sings in the tree ?
? Fa-la-la la-la-la-la-la-la
? La fa-la-la chirp chirp
[laughter]
That's the sound of a nightingale.
Big mother nightingale.
The nightingale's not dying. The nightingale's song--
DICK: Tom. TOM: Let me just finish this.
The song is dying in the air. It's not a dead nightingale.
DICK: Let me finish what I have to say.
I did not ask for a background.
You didn't even know the words.
Now you're explaining the song?
What did I ask for? Fa-la-las. That's all I asked for.
TOM: Let me just say this.
I heard you singing, I think in madrigals,
nightingales, I heard you singing about the nightingales.
And nightingales are very important in madrigal songs.
There are many nightingales.
And when this song was written,
nightingales and many of the birds...
over 600 years ago, when this song was written,
there was...a lot of the... there was no public education.
A lot of these...
a lot of these nightingales and a lot of the birds
couldn't read or write either.
So when these birds would be flying around in flocks
and they'd see other birds singing
and they'd want to join in
but they couldn't read the words,
they made up their own words
or nonsense words or nonsense lyrics
that became standardized...
[laughter]
...over the next several hundred years
into the world-famous chirp-chirps of today.
So whenever you hear people going,
"Chirp chirp chirp chirp,"
you know they either want to be a bird
or they want to get their pilot's license.
[laughter]
DICK: You know...
just a few moments ago, you said you couldn't sing the song
because you didn't know the words,
and I said, "Yes, you can,"
and you found that hard to believe.
So I explained very patiently
how you could sing a madrigal with me,
we could sing a duet.
I wanted to sing a duet with you.
I didn't want to exclude you from the song.
And I took a lot of patience and caring
to sing a duet with my brother.
And what do I get for that? What do I get for my efforts?
You stand right over there and you make fun of me.
TOM: I wasn't making-- DICK: Yes, you were.
TOM: I wasn't making fun--
DICK: Tom, it was obvious what you were doing.
TOM: I was not making fun of you.
DICK: What do you call it?
TOM: Ridicule.
[laughter]
DICK: That is a much better word.
It's richer, it's fuller.
It explains so much, it expresses so much.
I am ridiculed, the song is ridiculed,
and what is the whole point of this? There's no music.
What did you accomplish?
TOM: I tried to put in my fa-la-las,
but you kept hogging the song.
DICK: I did not hog the song.
TOM: You never stopped.
I tried three times to put my fa-la-las in,
and you kept singing.
DICK: I wasn't supposed to stop singing for your fa-la-las.
TOM: You hogged the song.
DICK: No, I sang it as it was written.
TOM: But where do I do my fa-la-las?
DICK: The whole song is a place for fa-la-las.
It's background counterpoint at the same time.
But not big mother nightingale solo fa-la-las.
Sensitive background counterpoint.
Can you do that?
TOM: Yes. Oh, at the same time? DICK: At the same time.
TOM: You didn't tell me that.
DICK: I thought you would-- never mind.
Third verse.
?
TOM: Excuse me. Just one thing.
I'm sorry. What verse did you say this was?
DICK: Third verse.
TOM: OK. Just one other thing.
Should I just do the third verse fa-la-las,
or should I go back and pick up
some of the first and second verse fa-la-las
and blend them in with the--
[laughter]
I guess it doesn't matter.
?
DICK: ? In the woods and the meadow ?
? Beneath the pale moon
TOM: ? Fa-la-la-la
DICK: ? Every lad and his lass make the most of the June ?
TOM: ? Fa-la-la-la-la
DICK: ? Don't you think, dearest maiden ?
? You'd better agree
? To make love whilst the nightingale
? Sings in the tree
TOM: ? Chirp, chirp
? Don't you think, dearest maiden ?
? You better agree
? When there's two in the bush, there's a bird up your tree ?
TOGETHER: ? Bird up your tree
[applause]
DICK: Thank you.
TOM: This next artist
was a founder of the famous New Christy Minstrels.
DICK: And, boy, a lot of dynamite performers
came from that group.
It was really a starting place for so many--
TOM: A lot of people came out of that group
that formed their own groups, became solo performers,
and it was a great spawning ground
for many, many people who loved folk music.
Ladies and gentlemen, Randy Sparks and the Minstrels.
DICK: Hey!
?
One, two, three, four, one!
?
? Green, green, it's green they say ?
? On the far side of the hill
? Green, green, I'm going away ?
? To where the grass is greener still ?
? Yeah, I told my mama on the day I was born ?
? Don't you cry when you see I'm gone ?
? And there ain't no woman gonna settle me down ?
? I just got to keep traveling on ?
Come on, sing it, now!
? Green, green, it's green they say ?
? On the far side of the hill
? Green, green, and I'm going away ?
? To where the grass is greener still ?
? Yeah, there ain't nobody in the whole wide world ?
? Gonna tell me how to spend my time ?
? You know that I'm just a good loving rambling man ?
? Hey, buddy, can you spare me a dime? ?
Come on, sing it again, now.
? Green, green, it's green they say ?
? On the far side of the hill
Everybody! Come on, now!
? Green, green, I'm going away ?
? To where the grass is greener still ?
? I tell you, I don't care where the sun goes down ?
? Or where I lay my weary head
? Oh, green, green valley or a rocky road ?
? It's there I wanna make my bed ?
Nice and easy, now.
? Green, green, it's green they say ?
? On the far side of the hill
? Green, green, I'm going away ?
? To where the grass is greener still ?
Alright, last time. I wanna hear it, now! Everybody!
? Green, green, it's green they say ?
? On the far side of the hill
? Green, green, I'm going away ?
? To where the grass is greener still ?
TOM: Folk music carried a message in the '60s,
and that message was peace.
DICK: The message was often controversial,
as in this next song.
Remember "Eve of Destruction"?
TOM: I sure do.
Ladies and gentlemen, Barry McGuire.
[applause]
?
? Well, the eastern world, it is exploding ?
? Violence flarin', bullets loadin' ?
? You're old enough to kill, but not for votin' ?
? You don't believe in war
? But what's that gun you're totin'? ?
? And even the Jordan River has bodies floatin' ?
? And you tell me over and over and over again, my friend ?
Come on with me.
? Ah, you don't believe we're on the eve of destruction ?
? Mmm, mmm, mmm
?
? Yeah, I know you understand what I'm trying to say ?
? I know you feel the fears I'm still feelin' today ?
? When the button is pushed, there'll be no runnin' away ?
? There'll be no one to save with the world in a grave ?
? Take a look around you, boy
? It's bound to scare you, boy
? And you tell me over and over and over again, my friend ?
? Sayin' you don't believe we're on the eve of destruction ?
? No, you don't believe, no, no, no ?
?
? Yeah, my blood's so mad, feels like coagulating ?
? I'm standing here just contemplatin' ?
? You can't twist the truth, it knows no regulation ?
? And a handful of senators can't pass legislation ?
? And marches alone will never bring integration ?
? When human respect is disintegrating ?
? Yeah, this whole crazy world is just too frustrating ?
? And you tell me over and over and over again, my friend ?
? Sayin' you don't believe we're on the eve of destruction ?
? Mmmm mmmm mmmm
?
? Well, think of all the hate there is in Red China ?
? Then take a look around to Columbine, Colorado ?
? We can leave here for six days in space ?
? But when we return, it's the same old place ?
? Yeah, they're pounding the drums ?
? The pride and disgrace
? We can bury our dead and don't leave a trace ?
? Hate our next-door neighbor but don't forget to say grace ?
? And tell me over and over and over and over again, my friend ?
? You don't believe we're on the eve of destruction ?
? No, you don't believe we're on the eve of destruction ?
? Mmm mmm mmm
?
[applause and cheering]
DICK: By 1965, folk rock was the sound of American pop.
The Mamas and Papas even sang a song about our next guest
and the high old times they had in L.A.
TOM: His folk music credentials are legendary.
He was with the New Christy Minstrels,
and he was one of the original members of the Byrds.
Ladies and gentlemen, Roger McGuinn.
[applause and cheering]
?
? Hey, Mr. Tambourine Man, play a song for me ?
? I'm not sleepy and there ain't no place I'm goin' to ?
? Hey, Mr. Tambourine Man, play a song for me ?
? In the jingle jangle morning, I'll come followin' you ?
? Take me for a trip upon your magic swirling ship ?
? All my senses have been stripped ?
? And my hands can't feel to grip ?
? And my toes too numb to step
? Wait only for my boot heels to be wandering ?
? I'm ready to go anywhere
? I'm ready for to fade into my own parade ?
? Cast your dancing spell my way ?
? I promise to go under it
? Hey, Mr. Tambourine Man, play a song for me ?
? I'm not sleepy and there ain't no place I'm going to ?
? Hey, Mr. Tambourine Man, play a song for me ?
? In the jingle jangle morning, I'll come following you ?
?
[applause]
[whistling]
[applause]
Well, it's such a pleasure to be here with all my old friends.
Mike Settle and I go way back.
We used to share an apartment
near Greenwich Village in New York,
and it's good to see him again.
All these folks are friends of mine.
And it's great to be doing something for PBS
because I really love PBS, too.
And thank you all.
[applause]
I love to watch all the educational shows
and just all the wonderful informative stuff.
It's the only real television out there.
And if you haven't--
[applause]
And if you haven't given anything to support it,
it really needs your help, so I appreciate that.
This is a song that Pete Seeger put together
from the book of Ecclesiastes.
?
? To everything, turn, turn, turn ?
? There is a season, turn, turn, turn ?
? And a time to every purpose under heaven ?
?
? A time to be born, a time to die ?
? A time to plant, a time to reap ?
? A time to kill, a time to heal ?
? A time to laugh, a time to weep ?
Everybody sing.
? To everything, turn, turn, turn ?
? There is a season, turn, turn, turn ?
? And a time to every purpose under heaven ?
?
? A time to build up, a time to break down ?
? A time to dance, a time to mourn ?
? A time to cast away stones
? A time to gather stones together ?
Everybody.
? To everything, turn, turn, turn ?
? There is a season, turn, turn, turn ?
? And a time to every purpose under heaven ?
?
? A time of love, a time of hate ?
? A time of war, a time of peace ?
? A time that you may embrace
? A time to refrain from embracing ?
?
? To everything, turn, turn, turn ?
? There is a season, turn, turn, turn ?
? And a time to every purpose under heaven ?
? A time to gain, a time to lose ?
? A time to rend, a time to sew ?
? A time for love, a time for hate ?
? A time for peace
? I swear, it's not too late
?
[applause and cheering]
TJ: What an important message
from the book of Ecclesiastes.
You think about the circle of life
and how we grow, we learn,
we share, we experience,
and that circle,
that wonderful journey
that we're on together--
so much a part of everything
that touches all that we do.
And it was so special to see
this particular segment
of the show for me, Camille,
because you go from acoustic
to the very beginnings of electric
in folk music, folk, and folk pop.
And Roger McGuinn with his Rickenbacker.
And it was so great to be able to remember
how important these songs are
and seeing all the artists back together again--
something only
public television can do
and something that only happens
with your financial support.
CAMILLE: That's why it's so important
that you give us a call
right now.
The number is there on your screen.
You can go to our secure website.
It's so easy to do.
And you know what's even easier?
Is to make a sustaining contribution.
That way just a few dollars a month
can come to this station and make sure that music like this
is something that we can bring you
whenever it is available.
TJ: PBS, your station,
makes this world a better place
365 days a year.
So we're asking you right now,
during this last membership opportunity,
to please, pick up your phone,
join us right now.
You can also join us online.
However you get there,
please be there for this station,
and we thank you so much for doing so.
Plus some great benefits
to contributing.
ANNOUNCER: It's our last break
during the program.
Call in now and you can choose
this special 3 DVD set
of folk rock favorites.
? I still need you there
? Beside me
? No matter what I do
? For I know I'll never find
? Another you
? I'd like to teach
? The world to sing
? In perfect harmony
? I'd like to hold it
? In my arms
? And keep it company
? This land is your land
? This land is my land
? From California
? To the New York island
? From the redwood forest
? To the Gulf Stream waters
? This land was made
? For you and me
? When I was
? A little bitty baby
? My mama would rock me
? in the cradle
? In them old cotton fields
? Back home
? When I was
? A little bitty baby
? My mama would rock me
? In the cradle
? In them old cotton fields
? Back home
ANNOUNCER: Or with your contribution,
you can choose this special
4 CD set of original folk,
folk rock,
and folk rock era recordings.
? I've looked at clouds
? From both sides now
? From up and down
? And still somehow
? I really don't know clouds
? At all
? It takes a worried man
? To sing a worried song
? It takes a worried man
? To sing a worried song
? The answer, my friend
? Is blowin' in the wind
? The answer
? Is blowin' in the wind
? Still I wish...
ANNOUNCER: This special PBS package
includes "The Best
of Peter, Paul, and Mary:
Ten Years Together,"
with your call right now.
? We never did
? Too much talking anyway
? So don't think twice
? It's all right
? I'd hammer out danger
? I'd hammer out a warning
? I'd hammer out love between
? My brothers and my sisters
? All over this land
? So kiss me and smile for me
? Tell me that
? You'll wait for me
ANNOUNCER: If you can increase your gift,
we'll say thanks
with both the 3 DVD set
and 4 CDs
of original folk rock hits.
? We'll sing in the sunshine
? Saturday night
? We all get together
? On Saturday night
? Walk right in
? Sit right down
? Daddy, let your mind roll on
If you called in
with a donation for PBS,
just make it as big as you can
because you'll never find
another medium
and another part of television
that's as really good for you
as PBS.
I watch PBS almost exclusively.
The rest of it's all, you know...
turn the dial on, push the button.
?
? Scotch and soda
? Mud in your eye
? Baby, do I feel high
? Oh, me, oh, my
? Do I feel high
JUDY COLLINS: At the beginning
of my career
as a singer of folk songs,
there were a few singers
that I listened to,
like Burl Ives and Harry Belafonte
and the Kingston Trio,
because when I was in high school,
they were singing.
And the Limeliters--
that wonderful voice of Glenn that floated out of...
It was like heaven.
It floated out of heaven,
that voice.
And the stories
and the absolute beauty
of the combination of lyrics
and seeing somebody
sit up there and sing,
it's very personal
and very intense.
It was both political
and social and literary.
It was literary.
This is your chance to make a difference
by joining in and celebrating
the time-honored tradition of American folk music.
If hearing these folk songs
brought back fond memories of singing them around a campfire
or maybe in your dorm room on campus
or at a family gathering,
then say thanks to PBS
by calling in and becoming a sustaining member,
which means you give to the station
on an ongoing monthly basis.
If you've contributed in the past,
now is the time to give once again.
If you've never donated to your local PBS station,
now is a great time to start.
Call the number on your screen
or log on to our secure website.
This PBS station is yours.
?
ANNOUNCER: Support this PBS station now
and we'll say thanks
with 4 CDs
of folk rock favorites
with your gift.
? But I'd like to get to know you ?
? Yes, I would
? But I'd like to get to know you ?
? If I could
? Guantanamera
? Guajira Guantanamera
? Guantanamera
? Guajira Guantanamera
? Where have all the flowers gone? ?
? Long time passing
? Where have all the flowers gone? ?
? Long time ago
? Ah ha, oh no
? Don't let the rain come down
? Ah ha, oh no
? Don't let the rain come down
? She had kisses
? Sweeter than wine
? She had--mmm, mmm
? Kisses sweeter than wine
It's the music
of your generation.
You created change
to make the world better.
Here we are today because of
all of your efforts,
and now we've got a way
to celebrate this
in this great
amazing collection.
It's "This Land is Your Land"
together with "The Best of
Peter, Paul, and Mary."
Our way of saying thanks
when you contribute right now to public television.
$12.50 your ongoing monthly contribution and the music.
The Brothers Four,
reflective of the green fields
that once were everywhere.
The original recording
of the New Christy Minstrels
with "Green, Green."
The Byrds, "Turn, Turn, Turn."
Johnny Cash,
"Don't Think Twice, It's All Right."
Jimmie Rodgers,
"Kisses Sweeter Than Wine."
I think our most amazing
folk package ever.
This is our way of saying thank you
for taking the action,
joining in,
and allowing public television
to present the very best
of content and lyrical meaning
and programming,
insightful programming for you--
news, documentaries, profiles,
performances.
They're all here.
Please, allow it to continue
and call right now.
with Wisconsin Public Radio.
just been wonderful to It's
favorite folk specials ofmy
really special treat. a
to Madison in February, and
or more, you can have seats,
general admission, but the
go in, have a drink, enjoyn
Atwood Music Hall and they
their way of encouragingt's
Wisconsin. So if you are
Kingston Trio live inthe
the Kingston Trio, we would
(800) 236-3636. That's $15
swoop. And when you're fell
also supporting PBSou're
important to keep these
the air, not just folks on
sing along to, but the and
of the programing that you
We cannot do it without you.
with kindred spirits,
folk music loversits,
this Kingston Trio concert
Hall. Just callAtwood Music
know that we are verylease
Thank you.or your support.
? This land is your land, this land is my land ?
? From California to the New York island ?
? From the redwood forests to the Gulf Stream waters ?
? This land was made for you and me ?
?