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- Announcer:
The following program is
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a PBS Wisconsin
original production.
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[bright classical music]
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- Narrator:
A centennial jubilee.
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The Madison Symphony
Orchestra celebrates 100 years
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and honors
Maestro John DeMain
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and his 32 seasons
as music director.
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A special performance
of time-honored classics
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by George Gershwin,
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Pablo de Sarasate
with Julian Rhee on violin,
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[bright violin music]
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Gustav Holst,
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[stately classical music]
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and a grand finale
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of Ludwig van Beethoven's
Ninth Symphony.
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? Freude, schöner Götterfunken ?
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- Narrator: It's
Madison Symphony at 100.
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- Announcer: Funding for this
program is provided by
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Wooden Nickel Fund,
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Barbara Brand,
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Elizabeth Olson,
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the Stanley and Shirley Inhorn
Fund,
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Jane Hamblen and Rob Lemanske,
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Terry Haller,
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Valerie and Andreas Kazamias,
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Judith and Nick Topitzes,
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the John W. and Lenore L. Landry
Endowment,
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donors to the Focus Fund
for the Arts
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and Friends of PBS Wisconsin.
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[ An American in Paris
by George Gershwin]
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[bright orchestral music]
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[ An American in Paris
by George Gershwin]
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[ An American in Paris
by George Gershwin]
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[ An American in Paris
by George Gershwin]
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[ An American in Paris
by George Gershwin]
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[ An American in Paris
by George Gershwin]
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[ An American in Paris
by George Gershwin]
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[ An American in Paris
by George Gershwin]
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00:09:39,713 --> 00:09:43,617
[ An American in Paris
by George Gershwin]
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[ An American in Paris
by George Gershwin]
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[ An American in Paris
by George Gershwin]
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[ An American in Paris
by George Gershwin]
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[ An American in Paris
by George Gershwin]
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[ An American in Paris
by George Gershwin]
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[ An American in Paris
by George Gershwin]
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[ An American in Paris
by George Gershwin]
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[ An American in Paris
by George Gershwin]
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[ An American in Paris
by George Gershwin]
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[ An American in Paris
by George Gershwin]
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[ An American in Paris
by George Gershwin]
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[cheers and applause]
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- John DeMain: Big thrill for me
is inviting Julian Rhee
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to be our guest artist.
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Julian won his first competition
with us
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when he was nine years old,
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and he showed up wearing
these red-rimmed glasses.
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- Julian Rhee: I've performed
with Maestro DeMain now
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four times.
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So, I did the Fall Youth
Concerto Competition twice.
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And then did the Bolz
Young Artist Competition twice
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in high school.
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[bright violin music]
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I'm a violinist and I'm mostly
based in New York these days,
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but was born and raised
in Brookfield, Wisconsin,
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and did all of my studies
in Boston.
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- He's having a major career
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and playing with all
the big orchestras now,
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and he has a big fellowship
at Lincoln Center with...
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He's a star.
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- Julian:
It's certainly heartwarming
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because my experiences
with the Madison Symphony
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were incredibly formative.
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To have those rehearsals,
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to then really perform for a
huge and appreciative audience,
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those really stand out,
at least for me in my memory.
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The opportunities at that age
are so, so huge
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in terms of actually
being able to translate the work
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into performance capacity.
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And I still reflect on those
very, very often.
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[bright violin music]
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- John: And he's gonna play
the Sarasate version
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of the Carmen fantasy.
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So, it's themes
from the opera Carmen.
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- Which is a kind of staple
for violin virtuosity,
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beauty, warmth,
and a lot of fun, really.
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What's unique about
Carmen Fantasy by Sarasate
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is there's a kind of freedom
and individual virtuosity
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that comes with any
violin showpiece,
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but then, because of its history
and its context,
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you have-- you work
in a certain framework
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that gives you actually
more freedom, I think.
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So, I felt very free and alive
to be able to take risks
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and make choices because I
actually have more to work with.
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[ Carmen Fantasy, Op. 25
by Pablo de Sarasate]
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[lively orchestral music]
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[ Carmen Fantasy, Op. 25
by Pablo de Sarasate]
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[ Carmen Fantasy, Op. 25
by Pablo de Sarasate]
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[ Carmen Fantasy, Op. 25
by Pablo de Sarasate]
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[ Carmen Fantasy, Op. 25
by Pablo de Sarasate]
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[ Carmen Fantasy, Op. 25
by Pablo de Sarasate]
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[ Carmen Fantasy, Op. 25
by Pablo de Sarasate]
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[ Carmen Fantasy, Op. 25
by Pablo de Sarasate]
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[ Carmen Fantasy, Op. 25
by Pablo de Sarasate]
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[ Carmen Fantasy, Op. 25
by Pablo de Sarasate]
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[ Carmen Fantasy, Op. 25
by Pablo de Sarasate]
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[ Carmen Fantasy, Op. 25
by Pablo de Sarasate]
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[ Carmen Fantasy, Op. 25
by Pablo de Sarasate]
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[cheers and applause]
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- John: My goodness gracious.
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Thank you all for being here.
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I haven't looked up
that high in a long time.
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[applause]
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So, happy birthday
to the Madison Symphony.
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A joke I've been telling
all year
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is that it's not my centennial.
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[laughter]
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- Robert Reed: When someone
turns 100 years old,
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that's huge.
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It's been great
that we have this orchestra
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to be the foundation of the
arts scene here in Madison.
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Our final concerts this weekend
will be the ultimate, you know,
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celebration
for the organization,
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as we will really involve
every aspect of this community.
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- Overture Center is our home
where we play,
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and we should just invite
people in,
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and then we bring
together the community
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with all different kinds
of music.
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- ? Helena ?
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? Tú qué estás bien buena ?
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- ? And all my friends
will be screaming ?
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[lively steel drum music]
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- Robert: We're not thinking
about the Madison Symphony.
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We're thinking about
the community
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and that we're part
of the community.
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And so, that we've built
this whole festival.
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- John: It's all about music,
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and for them to get to know us
and for us to get to know them.
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It's a joyful time for me
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because the orchestra's
playing so well.
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And I'm looking back
on these 32 years.
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And, of course,
the shining moment
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was the Overture Center
for the Arts.
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Even though it's multipurpose,
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it's a real concert hall
that has great acoustics overall
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and great acoustics for opera.
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Oh, my goodness.
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I mean, we have a home,
so we're blessed
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during my time here.
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And so, I feel very happy
about all of that.
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[ The Planets, Op. 32
by Gustav Holst]
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[stately orchestral music]
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[ The Planets, Op. 32
by Gustav Holst]
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[ The Planets, Op. 32
by Gustav Holst]
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[ The Planets, Op. 32
by Gustav Holst]
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[ The Planets, Op. 32
by Gustav Holst]
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[ The Planets, Op. 32
by Gustav Holst]
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[ The Planets, Op. 32
by Gustav Holst]
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[ The Planets, Op. 32
by Gustav Holst]
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[movement ends]
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[gentle orchestral music]
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[ The Planets, Op. 32
by Gustav Holst]
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[ The Planets, Op. 32
by Gustav Holst]
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[ The Planets, Op. 32
by Gustav Holst]
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[ The Planets, Op. 32
by Gustav Holst]
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[ The Planets, Op. 32
by Gustav Holst]
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[ The Planets, Op. 32
by Gustav Holst]
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00:53:37,484 --> 00:53:40,954
[ The Planets, Op. 32
by Gustav Holst]
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[movement ends]
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[bright orchestral music]
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[ The Planets, Op. 32
by Gustav Holst]
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[ The Planets, Op. 32
by Gustav Holst]
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00:57:42,129 --> 00:57:45,599
[ The Planets, Op. 32
by Gustav Holst]
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00:58:42,189 --> 00:58:45,659
[ The Planets, Op. 32
by Gustav Holst]
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00:59:42,249 --> 00:59:45,719
[ The Planets, Op. 32
by Gustav Holst]
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01:00:42,309 --> 01:00:45,779
[ The Planets, Op. 32
by Gustav Holst]
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01:01:42,369 --> 01:01:45,839
[ The Planets, Op. 32
by Gustav Holst]
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01:02:42,429 --> 01:02:45,899
[ The Planets, Op. 32
by Gustav Holst]
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[cheers and applause]
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- I came here in 1994,
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and I was 18 years
at Houston Grand Opera,
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and I was frustrated
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because I wanted to do
more symphonic work.
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Crescendo.
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Ping, yah bop bop bop bah!
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But I always loved
orchestral conducting,
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and I thought I could be good
at it.
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My agent at the time
told me that Roland Johnson,
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my predecessor,
was retiring
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and that they were looking,
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and that it was a well-funded
orchestra even at the time,
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you know, which was,
of course, music to my ears.
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So, Barbara and I came up here
and found this house
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that we're sitting in right now
32 years ago.
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And the journey began,
and what a journey it was.
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- Robert:
We're celebrating 100 years.
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And the amazing thing is,
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we've only had four
music directors
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of the Madison Symphony
in that 100 years.
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I would say the orchestra
became truly professional
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under John DeMain.
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When he arrived, it was more
of a community orchestra.
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Not everybody was paid.
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01:04:20,394 --> 01:04:22,963
Now, when we have auditions
for positions,
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people from all over the country
are auditioning for the job.
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[bright orchestral music]
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01:04:28,502 --> 01:04:32,172
We had high expectations 'cause
he came from the Houston Opera,
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01:04:32,239 --> 01:04:34,408
so he had really strong vision
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01:04:34,474 --> 01:04:36,677
of where the organization
could go.
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And so, he brought a lot of that
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with his Italian charm
and charisma.
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- So, my finale
for this concert, of course,
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is the Beethoven Ninth.
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I mean, it's a piece that I, as
a conductor, absolutely adore.
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It's a piece
that has been so important
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because it talks about
the brotherhood of mankind
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and has been associated
with revolutions, with triumphs.
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[bright orchestral music]
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I wanna close with that
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because it's truly
a joyous celebration
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of our being here for 100 years.
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And this festival weekend is
about celebrating 100 years
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and launching
the next 100 years.
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[Symphony No. 9 in D Minor,
Op. 125 by Ludwig van Beethoven]
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[triumphant orchestral music]
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01:06:27,354 --> 01:06:32,826
[Symphony No. 9 in D Minor,
Op. 125 by Ludwig van Beethoven]
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? O Freunde ?
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? Nicht diese Töne ?
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01:07:09,696 --> 01:07:12,366
[stately orchestral music]
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01:07:15,135 --> 01:07:19,273
? Sondern lasst uns angenehmere
anstimmen ?
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01:07:30,250 --> 01:07:32,386
? Und freudenvollere ?
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01:07:48,702 --> 01:07:49,803
? Freude ?
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01:07:49,870 --> 01:07:51,538
? Freude ?
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01:07:51,905 --> 01:07:53,707
? Freude ?
? Freude ?
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01:07:53,774 --> 01:07:56,844
? Freude schöner Götterfunken ?
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01:07:56,910 --> 01:07:59,046
? Tochter aus Elysium ?
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01:08:00,147 --> 01:08:02,950
? Wir betreten feuertrunken ?
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? Himmlische, dein Heiligtum ?
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? Deine Zauber binden wieder ?
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01:08:10,023 --> 01:08:12,826
? Was die Mode streng geteilt ?
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? Alle Menschen werden Brüder ?
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01:08:16,730 --> 01:08:19,633
? Wo dein sanfter Flügel weilt ?
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? Deine Zauber binden wieder ?
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01:08:23,504 --> 01:08:26,406
? Was die Mode streng geteilt ?
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01:08:26,473 --> 01:08:29,376
? Alle Menschen werden Brüder ?
245
01:08:30,177 --> 01:08:33,080
? Wo dein sanfter Flügel weilt ?
246
01:08:33,680 --> 01:08:36,650
[triumphant orchestral music]
247
01:08:40,621 --> 01:08:43,524
? Wem der grosse Wurf gelungen ?
248
01:08:44,024 --> 01:08:47,027
? Eines Freundes
Freund zu sein ?
249
01:08:47,661 --> 01:08:50,564
? Wer ein holdes Weib errungen ?
250
01:08:51,064 --> 01:08:53,534
? Mische seinen Jubel ein ?
251
01:08:54,601 --> 01:08:57,271
? Ja, wer auch nur eine Seele ?
252
01:08:58,305 --> 01:09:01,408
? Sein nennt auf dem
Erdenrund ?
253
01:09:01,475 --> 01:09:04,811
? Und wer's nie gekonnt,
der stehle ?
254
01:09:05,345 --> 01:09:08,248
? Weinend sich aus diesem Bund ?
255
01:09:09,183 --> 01:09:11,852
? Ja, wer auch nur eine Seele ?
256
01:09:12,553 --> 01:09:15,722
? Sein nennt auf dem
Erdenrund ?
257
01:09:15,789 --> 01:09:19,126
? Und wer's nie gekonnt,
der stehle ?
258
01:09:19,626 --> 01:09:22,529
? Weinend sich
aus diesem Bund ?
259
01:09:23,130 --> 01:09:26,099
[triumphant orchestral music]
260
01:09:29,803 --> 01:09:32,472
? Freude trinken alle Wesen ?
261
01:09:33,941 --> 01:09:36,410
? An den Brüsten der Natur ?
262
01:09:37,611 --> 01:09:39,947
? Alle Guten, alle Bösen ?
263
01:09:41,148 --> 01:09:43,617
? Folgen ihrer Rosenspur ?
264
01:09:44,518 --> 01:09:47,187
? Küsse gab sie uns und Reben ?
265
01:09:48,522 --> 01:09:51,258
? Einen Freund, geprüft im Tod ?
266
01:09:51,325 --> 01:09:54,328
? Wollust ward
dem Wurm gegeben ?
267
01:09:55,762 --> 01:09:58,665
? Und der Cherub
steht vor Gott ?
268
01:09:59,132 --> 01:10:01,802
? Küsse gab sie uns und Reben ?
269
01:10:02,870 --> 01:10:05,739
? Einen Freund, geprüft im Tod ?
270
01:10:05,806 --> 01:10:08,809
? Wollust ward
dem Wurm gegeben ?
271
01:10:09,810 --> 01:10:12,713
? Und der Cherub
steht vor Gott ?
272
01:10:13,413 --> 01:10:16,316
? Und der Cherub
steht vor Gott ?
273
01:10:19,653 --> 01:10:21,321
? Steht vor Gott ?
274
01:10:25,292 --> 01:10:26,960
? Vor Gott ?
275
01:10:29,263 --> 01:10:30,931
? Vor Gott ?
276
01:10:42,075 --> 01:10:44,745
[stately orchestral music]
277
01:11:21,381 --> 01:11:23,050
? Froh ?
278
01:11:23,350 --> 01:11:25,686
? Froh, wie seine Sonnen ?
279
01:11:26,386 --> 01:11:29,056
? Seine Sonnen fliegen froh ?
280
01:11:29,857 --> 01:11:32,426
? Wie seine Sonnen fliegen ?
281
01:11:33,393 --> 01:11:36,930
? Durch des Himmels
prächt'gen Plan ?
282
01:11:36,997 --> 01:11:39,666
? Laufet, Brüder, eure Bahn ?
283
01:11:40,968 --> 01:11:43,637
? Laufet, Brüder, eure Bahn ?
284
01:11:44,671 --> 01:11:47,908
? Freudig,
wie ein Held zum Siegen ?
285
01:11:48,675 --> 01:11:51,011
? Wie ein Held zum Siegen ?
286
01:11:52,346 --> 01:11:55,015
? Laufet, Brüder, eure Bahn ?
287
01:11:56,517 --> 01:11:59,186
? Laufet, Brüder, eure Bahn ?
288
01:12:00,521 --> 01:12:03,757
? Freudig,
wie ein Held zum Siegen ?
289
01:12:04,424 --> 01:12:06,760
? Wie ein Held zum Siegen ?
290
01:12:09,429 --> 01:12:11,131
? Freudig, freudig ?
291
01:12:11,198 --> 01:12:14,434
? Freudig, wie ein
Held zum Siegen ?
292
01:12:18,205 --> 01:12:21,175
[triumphant orchestral music]
293
01:13:18,265 --> 01:13:23,737
[Symphony No. 9 in D Minor,
Op. 125 by Ludwig van Beethoven]
294
01:14:09,883 --> 01:14:13,020
? Freude, schöner Götterfunken ?
295
01:14:13,854 --> 01:14:15,989
? Tochter aus Elysium ?
296
01:14:17,858 --> 01:14:20,661
? Wir betreten feuertrunken ?
297
01:14:21,895 --> 01:14:24,798
? Himmlische, dein Heiligtum ?
298
01:14:25,866 --> 01:14:28,669
? Deine Zauber binden wieder ?
299
01:14:29,903 --> 01:14:32,706
? Was die Mode streng geteilt ?
300
01:14:33,407 --> 01:14:36,310
? Alle Menschen werden Brüder ?
301
01:14:37,945 --> 01:14:40,848
? Wo dein sanfter Flügel weilt ?
302
01:14:42,115 --> 01:14:44,918
? Deine Zauber binden wieder ?
303
01:14:46,086 --> 01:14:48,889
? Was die Mode streng geteilt ?
304
01:14:49,690 --> 01:14:52,593
? Alle Menschen werden Brüder ?
305
01:14:54,127 --> 01:14:57,030
? Wo dein sanfter Flügel weilt ?
306
01:14:57,898 --> 01:15:00,868
[triumphant orchestral music]
307
01:15:04,605 --> 01:15:07,608
? Seid umschlungen, Millionen ?
308
01:15:16,116 --> 01:15:18,919
? Diesen Kuss der ganzen Welt ?
309
01:15:28,228 --> 01:15:31,231
? Seid umschlungen, Millionen ?
310
01:15:38,739 --> 01:15:41,542
? Diesen Kuss der ganzen Welt ?
311
01:15:51,852 --> 01:15:53,520
? Brüder ?
312
01:15:55,856 --> 01:15:57,991
? Über'm Sternenzelt ?
313
01:16:03,363 --> 01:16:06,266
? Muss ein lieber Vater wohnen ?
314
01:16:15,108 --> 01:16:16,777
? Brüder ?
315
01:16:18,545 --> 01:16:20,681
? Über'm Sternenzelt ?
316
01:16:25,686 --> 01:16:28,589
? Muss ein lieber Vater wohnen ?
317
01:16:42,102 --> 01:16:44,671
[gentle orchestral music]
318
01:16:56,383 --> 01:16:58,285
? Ihr stürzt nieder ?
319
01:17:04,591 --> 01:17:06,260
? Millionen? ?
320
01:17:12,833 --> 01:17:15,169
? Ahnest du den Schöpfer ?
321
01:17:23,110 --> 01:17:24,778
? Welt? ?
322
01:17:26,980 --> 01:17:29,983
? Such' ihn
über'm Sternenzelt ?
323
01:17:41,495 --> 01:17:44,298
? Über Sternen muss er wohnen ?
324
01:17:55,275 --> 01:17:57,845
[gentle orchestral music]
325
01:18:05,986 --> 01:18:07,654
? Über Sternen ?
326
01:18:14,962 --> 01:18:16,630
? Muss er wohnen ?
327
01:18:25,839 --> 01:18:29,109
? Freude, schöner Götterfunken ?
? Seid umschlungen ?
328
01:18:29,176 --> 01:18:31,411
? Tochter aus Elysium ?
? Millionen ?
329
01:18:31,478 --> 01:18:33,747
? Wir betreten feuertrunken ?
? Diesen Kuss ?
330
01:18:33,814 --> 01:18:35,849
? Himmlische, dein Heiligtum ?
? Der ganzen Welt ?
331
01:18:35,916 --> 01:18:40,854
? Um schlungen Millionen ?
? Freude, schöner Götterfunken ?
332
01:18:40,921 --> 01:18:43,924
? Diesen Kuss ?
? Die ganzen Welt ?
333
01:18:46,093 --> 01:18:48,695
? Freude, schöner Götterfunken ?
? Himmlische, dein Heiligtum ?
334
01:18:48,762 --> 01:18:53,166
? Tochter aus Elysium ?
? Wir betreten feuertrunken ?
335
01:18:53,233 --> 01:18:55,569
? Millionen ?
? Freude, schöner Götterfunken ?
336
01:18:55,636 --> 01:18:58,238
? Heligtum, Freude, Freude ?
? Tochter aus Elysium ?
337
01:18:58,305 --> 01:19:02,609
? Diesen Kuss ?
? Wir betreten feuertrunken ?
338
01:19:02,676 --> 01:19:05,445
? Der ganzen Welt ?
? Himmlische, dein Heligtum ?
339
01:19:05,512 --> 01:19:07,614
? Diesen Kuss ?
? Heiligtum ?
340
01:19:07,681 --> 01:19:12,186
? Der ganzen Welt ?
? Freude, schöner Götterfunken ?
341
01:19:12,252 --> 01:19:13,987
? Tochter aus Elysium ?
342
01:19:14,054 --> 01:19:15,789
? Wir betreten feuertrunken ?
? Freude, freude ?
343
01:19:15,856 --> 01:19:17,991
? Seid umschlungen ?
? Kuss der ganzen Welt ?
344
01:19:18,058 --> 01:19:20,227
? Freude, schöner Götterfunken ?
? Himmlische, dein Heligtum ?
345
01:19:20,294 --> 01:19:22,663
? Tochter aus Elysium ?
? Seid umschlungen ?
346
01:19:22,729 --> 01:19:27,501
? Himmlische, dein Heligtum ?
? Freude, schöner Götterfunken ?
347
01:19:27,568 --> 01:19:29,403
? Millionen ?
? Tochter aus Elysium ?
348
01:19:29,469 --> 01:19:31,338
? Diesen Kuss ?
? Wir betreten feuertrunken ?
349
01:19:31,405 --> 01:19:33,407
? Der ganzen Welt ?
? Himmlische, dein Heligtum ?
350
01:19:33,473 --> 01:19:35,409
? Freude, schöner Götterfunken ?
? Seid umschlangen ?
351
01:19:35,475 --> 01:19:38,111
? Tochter aus Elysium ?
? Millionen ?
352
01:19:38,178 --> 01:19:39,713
? Diesen Kuss ?
353
01:19:39,780 --> 01:19:42,382
? Der ganzen Welt ?
? Himmlische, dein Heligtum ?
354
01:19:42,449 --> 01:19:45,786
? Der ganzen Welt ?
? Der ganzen Welt ?
355
01:19:50,457 --> 01:19:53,427
[triumphant orchestral music]
356
01:19:58,999 --> 01:20:02,236
? Ihr stürtzt nieder,
Millionen? ?
357
01:20:03,637 --> 01:20:06,640
? Ahnest du den Schöpfer,
Welt? ?
358
01:20:08,575 --> 01:20:11,578
? Such' ihn über'm Sternenzelt ?
359
01:20:13,380 --> 01:20:16,383
? Such' ihn über'm Sternenzelt ?
360
01:20:17,885 --> 01:20:19,553
? Brüder ?
361
01:20:21,355 --> 01:20:23,023
? Brüder ?
362
01:20:23,690 --> 01:20:25,826
? Über'm Sternenzelt ?
363
01:20:28,962 --> 01:20:31,865
? Muss ein lieber Vater wohnen ?
364
01:20:34,801 --> 01:20:37,271
? Ein lieber Vater wohnen ?
365
01:20:52,019 --> 01:20:53,954
? Tochter,
Tochter aus Elysium ?
366
01:20:54,021 --> 01:20:57,157
? Freude, Tochter aus Elysium ?
367
01:21:01,862 --> 01:21:04,464
? Freude, Tochter aus Elysium ?
368
01:21:04,531 --> 01:21:07,501
? Freude, Tochter aus Elysium ?
369
01:21:07,568 --> 01:21:09,269
? Tochter ?
? Deine Zauber ?
370
01:21:09,336 --> 01:21:11,171
? Deine Zauber binden wieder ?
371
01:21:11,238 --> 01:21:13,173
? Deine Zauber ?
? Deine Zauber binden wieder ?
372
01:21:13,240 --> 01:21:18,011
? Deine Zauber binden wieder ?
? Was die Mode streng geteilt ?
373
01:21:18,078 --> 01:21:21,548
? Deine Zauber binden wieder ?
? Streng geteilt ?
374
01:21:21,615 --> 01:21:24,985
? Deine Zauber binden wieder ?
? Was die Mode streng geteilt ?
375
01:21:25,052 --> 01:21:30,023
? Deine Zauber binden wieder
was die Mode streng geteilt ?
376
01:21:32,092 --> 01:21:34,761
? Alle Menschen, alle Menschen,
alle Menschen ?
377
01:21:34,828 --> 01:21:37,731
? Alle Menschen werden Brüder ?
378
01:21:42,102 --> 01:21:45,005
? Wo dein sanfter Flügel weilt ?
379
01:21:58,018 --> 01:22:01,889
? Deine Zauber ?
? Deine Zauber binden wieder ?
380
01:22:01,955 --> 01:22:04,858
? Was die Mode streng geteilt ?
381
01:22:06,894 --> 01:22:09,763
? Alle Menschen, alle Menschen,
alle Menschen ?
382
01:22:09,830 --> 01:22:12,165
? Alle Menschen,
alle Menschen ?
383
01:22:12,232 --> 01:22:13,901
? Alle Menschen ?
384
01:22:18,071 --> 01:22:19,740
? Werden Brüder ?
385
01:22:22,743 --> 01:22:24,411
? Wo dein ?
386
01:22:25,078 --> 01:22:26,747
? Sanfter ?
387
01:22:43,497 --> 01:22:45,165
? Flügel weilt ?
388
01:22:47,434 --> 01:22:50,337
? Wo dein sanfter Flügel weilt ?
389
01:23:08,522 --> 01:23:11,491
[triumphant orchestral music]
390
01:23:15,929 --> 01:23:17,598
? Seid umschlungen, Millionen ?
391
01:23:17,664 --> 01:23:19,867
? Diesen Kuss der ganzen Welt ?
392
01:23:19,933 --> 01:23:21,602
? Der ganzen Welt ?
393
01:23:23,604 --> 01:23:24,705
? Brüder ?
394
01:23:24,771 --> 01:23:26,907
? Über'm Sternenzelt ?
395
01:23:27,241 --> 01:23:30,777
? Muss ein lieber Vater,
ein lieber Vater whonen ?
396
01:23:30,844 --> 01:23:33,313
? Ein lieber Vater wohnen ?
397
01:23:35,115 --> 01:23:36,683
? Seid umschlungen ?
398
01:23:36,750 --> 01:23:37,885
? Seid umschlungen ?
399
01:23:37,951 --> 01:23:40,621
? Diesen Kuss der ganzen Welt ?
400
01:23:40,687 --> 01:23:43,924
? Der ganzen Welt,
der ganzen Welt ?
401
01:23:44,491 --> 01:23:47,294
? Diesen Kuss der ganzen Welt ?
402
01:23:47,961 --> 01:23:49,663
? Der ganzen Welt ?
403
01:23:49,730 --> 01:23:52,199
? Der ganzen, ganzen Welt ?
404
01:23:55,369 --> 01:23:57,037
? Der ganzen Welt ?
405
01:23:59,173 --> 01:24:00,774
? Freude, Freude ?
406
01:24:00,841 --> 01:24:03,177
? Schöner Götterfunken ?
407
01:24:04,044 --> 01:24:06,380
? Schöner Götterfunken ?
408
01:24:10,150 --> 01:24:12,286
? Tochter aus Elysium ?
409
01:24:21,295 --> 01:24:24,431
? Freude, schöner Götterfunken ?
410
01:24:30,571 --> 01:24:32,239
? Götterfunken ?
411
01:24:36,643 --> 01:24:39,613
[triumphant orchestral music]
412
01:24:50,090 --> 01:24:52,226
[cheers and applause]
413
01:25:19,219 --> 01:25:23,557
[ Zigeunerweisen , Op. 20
by Pablo de Sarasate]
414
01:26:13,207 --> 01:26:15,542
- Announcer: Funding for
Madison Symphony at 100
415
01:26:15,609 --> 01:26:17,110
is provided by
416
01:26:17,177 --> 01:26:19,112
Wooden Nickel Fund,
417
01:26:19,179 --> 01:26:20,848
Barbara Brand,
418
01:26:21,215 --> 01:26:22,883
Elizabeth Olson,
419
01:26:23,217 --> 01:26:26,553
the Stanley and Shirley Inhorn
Fund,
420
01:26:26,620 --> 01:26:29,389
Jane Hamblen and Rob Lemanske,
421
01:26:29,456 --> 01:26:31,091
Terry Haller,
422
01:26:31,158 --> 01:26:33,827
Valerie and Andreas Kazamias,
423
01:26:33,894 --> 01:26:36,163
Judith and Nick Topitzes,
424
01:26:36,230 --> 01:26:40,033
the John W. and Lenore L. Landry
Endowment,
425
01:26:40,100 --> 01:26:42,336
donors to the Focus Fund
for the Arts,
426
01:26:42,402 --> 01:26:44,905
and Friends of PBS Wisconsin.