﻿WEBVTT

00:00:04.125 --> 00:00:07.792
[lively polka music]

00:00:11.458 --> 00:00:15.999
- Gary Brueggen: I met my wife
at a polka dance in Wisconsin.

00:00:15.999 --> 00:00:17.999
There's the stereotype
right there. [both chuckle]

00:00:17.999 --> 00:00:20.959
The typical, you know,
you're from Wisconsin.

00:00:20.959 --> 00:00:23.834
Yes, I met my wife
at a polka dance.

00:00:24.291 --> 00:00:26.250
I was dancing before I was
playing music,

00:00:26.250 --> 00:00:27.083
and that's the way she was too.

00:00:27.083 --> 00:00:30.542
And Mason, our drummer, was that
way, and my wife was that way.

00:00:30.542 --> 00:00:31.250
- Matti Brueggen: Mm-hmm.

00:00:31.250 --> 00:00:33.999
I remember going to dances
and learning how to dance

00:00:33.999 --> 00:00:36.166
in my basement with my grandma
and my mom,

00:00:36.166 --> 00:00:37.000
and that was really fun.

00:00:37.000 --> 00:00:43.166
- Our family is of German
and Bohemian or Czech heritage.

00:00:43.166 --> 00:00:46.999
My relation came over
in the mid 1800s.

00:00:46.999 --> 00:00:49.375
They came here and most of them
played instruments

00:00:49.375 --> 00:00:52.999
and settled
around western Wisconsin.

00:00:52.999 --> 00:00:55.375
Yeah, back in the day, they
would carry their instruments

00:00:55.375 --> 00:00:58.625
and walk, oh, 30 whatever miles
it was

00:00:58.625 --> 00:01:02.250
from Cashton to La Crosse
to go play music.

00:01:02.250 --> 00:01:05.625
So, it goes back quite a ways.

00:01:06.999 --> 00:01:10.458
[bright polka music]

00:01:11.834 --> 00:01:13.667
I was, like,
the 17th generation.

00:01:13.667 --> 00:01:15.792
Started in the band,
I was nine years old.

00:01:15.792 --> 00:01:19.333
I played my first gig
in April of 1982 on drums.

00:01:19.333 --> 00:01:24.417
And then I gradually
moved over to concertina,

00:01:24.417 --> 00:01:26.999
and here I am today.

00:01:26.999 --> 00:01:28.834
- I think I officially joined
the band

00:01:28.834 --> 00:01:30.333
when I was like, three or four.

00:01:30.333 --> 00:01:32.333
It honestly just came
really natural

00:01:32.333 --> 00:01:35.250
because I was going to dances
so much

00:01:35.250 --> 00:01:38.458
and I learned to really love
polka so much.

00:01:38.458 --> 00:01:39.250
So, I was just like,

00:01:39.250 --> 00:01:41.000
"Yeah, I really wanna be
a part of this."

00:01:41.000 --> 00:01:44.291
- Gary: In our band currently,
I play concertina,

00:01:44.291 --> 00:01:45.999
and then I run bass,

00:01:45.999 --> 00:01:48.917
and then my wife Brianne
plays piano.

00:01:48.917 --> 00:01:50.291
Our daughter Matelynn sings.

00:01:50.291 --> 00:01:53.959
Our oldest son, Mason, is 16.

00:01:53.959 --> 00:01:54.458
He's our drummer.

00:01:54.458 --> 00:01:56.500
And then we have a
nine-year-old son, Maverick,

00:01:56.500 --> 00:01:58.999
who also sings with us.

00:02:00.208 --> 00:02:03.875
[bright polka music]

00:02:18.999 --> 00:02:20.166
This is a concertina.

00:02:20.166 --> 00:02:23.000
The difference between the
accordion and the concertina,

00:02:23.000 --> 00:02:26.999
an accordion, all of the notes
in and out,

00:02:26.999 --> 00:02:27.999
it's the same.

00:02:27.999 --> 00:02:31.667
The concertina is modeled after,
like, a harmonica,

00:02:31.667 --> 00:02:34.417
where each note in and out,

00:02:34.417 --> 00:02:36.999
push or draw,
is a different note.

00:02:36.999 --> 00:02:40.959
[plays note]
So, I'm pushing in a little bit

00:02:40.959 --> 00:02:43.500
and I'll do the same note,
but I'll pull out--

00:02:43.500 --> 00:02:46.125
- And it'll be different.
[lower note]

00:02:46.125 --> 00:02:46.917
Yeah.

00:02:46.917 --> 00:02:49.542
- So, one note, push in,
[higher note]

00:02:49.542 --> 00:02:50.709
pull out.
[lower note]

00:02:50.709 --> 00:02:51.792
- It's different.
- Like a harmonica.

00:02:51.792 --> 00:02:55.709
There's no rhyme and reason
to how they made the concertina.

00:02:55.709 --> 00:02:56.999
It's like a typewriter,
you know?

00:02:56.999 --> 00:03:01.917
You would think a typewriter,
A through Z and then type.

00:03:01.917 --> 00:03:02.999
No, that's hunt and peck.

00:03:02.999 --> 00:03:05.041
And that's the way a concertina
is.

00:03:05.041 --> 00:03:07.999
[plays note]
So, the pushing is, that's a D.

00:03:07.999 --> 00:03:11.041
You pull, [higher note]
there's an A chord.

00:03:11.041 --> 00:03:13.250
And here's the D on a pull,
[plays note]

00:03:13.250 --> 00:03:16.999
which I just did here on a push,
same thing. [plays note]

00:03:16.999 --> 00:03:19.542
And now, here's a G.
[higher note]

00:03:19.542 --> 00:03:21.625
And then, here's a C.
[plays note]

00:03:21.625 --> 00:03:24.000
Here's an F [plays note]
with a B-flat [plays note]

00:03:24.000 --> 00:03:25.208
and here's an E-flat.
[plays note]

00:03:25.208 --> 00:03:28.999
Oh, and there's an A-flat too.
[higher note]

00:03:28.999 --> 00:03:31.542
It's not a simple instrument,
no, no.

00:03:31.542 --> 00:03:32.792
And in fact,
I've been doing this

00:03:32.792 --> 00:03:36.208
for 40 whatever years
and I'm still learning on it.

00:03:36.208 --> 00:03:37.999
Like, if I'm at a festival

00:03:37.999 --> 00:03:40.375
and I have a chance to watch
another player,

00:03:40.375 --> 00:03:41.917
odds are I'm gonna
learn something.

00:03:41.917 --> 00:03:44.417
I've been playing it self-taught
for so many years

00:03:44.417 --> 00:03:47.999
that I'll see how they're doing
a certain run,

00:03:47.999 --> 00:03:48.834
or they'll play something

00:03:48.834 --> 00:03:50.999
and I'll be like,
"That's a really pretty chord.

00:03:50.999 --> 00:03:51.999
I've never played that one."

00:03:51.999 --> 00:03:53.458
And then, when we're off
on break,

00:03:53.458 --> 00:03:54.542
I'll say, "How did you do that?"

00:03:54.542 --> 00:03:56.917
We'll do it together,
and then he'll show me.

00:03:56.917 --> 00:03:59.917
So, I learn
from watching others.

00:04:01.125 --> 00:04:05.625
♪ One, two, three,
won't you polka with me? ♪

00:04:05.625 --> 00:04:09.792
♪ Come turn that sad
into a smile ♪

00:04:10.333 --> 00:04:11.999
♪ Four, five, six ♪

00:04:11.999 --> 00:04:15.375
♪ A polka will fix
a broken heart ♪

00:04:15.375 --> 00:04:18.291
♪ In just a little while ♪

00:04:18.999 --> 00:04:21.999
- I am currently learning
saxophone and piano,

00:04:21.999 --> 00:04:25.500
which I'm hoping to one day
join the band

00:04:25.500 --> 00:04:26.208
with those instruments.

00:04:26.208 --> 00:04:29.834
I think just seeing all of the
different styles of polka,

00:04:29.834 --> 00:04:32.709
and that it's so important
to our family

00:04:32.709 --> 00:04:33.375
and it's in our heritage.

00:04:33.375 --> 00:04:35.999
And I was just like,
"I wanna be part of that."

00:04:35.999 --> 00:04:39.083
- So, we're lucky because, like,
even if you go

00:04:39.083 --> 00:04:43.250
to a Milwaukee Brewer game
and the seventh inning stretch,

00:04:43.250 --> 00:04:44.999
you're gonna hear
the "Beer Barrel Polka"

00:04:44.999 --> 00:04:46.083
and the "Chicken Dance."

00:04:46.083 --> 00:04:48.500
So, it's a part of the culture.

00:04:48.500 --> 00:04:51.041
So, like a German song.

00:04:52.166 --> 00:04:55.834
[steady polka music]

00:05:10.166 --> 00:05:10.875
Very marchy.

00:05:10.875 --> 00:05:14.999
Very, almost sounds like
a big marching band, you know?

00:05:14.999 --> 00:05:18.333
Where the Polish style,
little more upbeat,

00:05:18.333 --> 00:05:19.959
instrumentation
is gonna be a lot different.

00:05:19.959 --> 00:05:23.125
Like, instead of tubas,
you're gonna have bass guitars,

00:05:23.125 --> 00:05:24.999
or midi bass,
depending on the band.

00:05:24.999 --> 00:05:29.375
Trumpets or trumpet, sax,
clarinet combo,

00:05:29.375 --> 00:05:31.999
bellows shaking accordions.

00:05:31.999 --> 00:05:33.250
♪ Hey ♪

00:05:33.250 --> 00:05:36.917
[bright polka music]

00:05:36.999 --> 00:05:38.166
The definition
of bellows shaking,

00:05:38.166 --> 00:05:41.834
so, you know, they're doing
this, da-na-na-na-na-na,

00:05:41.834 --> 00:05:43.999
I can't do...
[rapid concertina notes]

00:05:43.999 --> 00:05:46.709
...that because in and out's
a different note.

00:05:46.709 --> 00:05:47.999
I can mimic it though.

00:05:47.999 --> 00:05:50.959
I can,
[quick concertina notes]

00:06:01.999 --> 00:06:05.041
So, that's a version
of bellows shaking.

00:06:05.041 --> 00:06:05.999
You're doing it in rhythm

00:06:05.999 --> 00:06:07.709
with, like,
the bass and the drums.

00:06:07.709 --> 00:06:08.999
That's way easier to do
on accordion.

00:06:08.999 --> 00:06:11.083
You're just standing there
and doing this.

00:06:11.083 --> 00:06:12.041
- It's a lot of arm work

00:06:12.041 --> 00:06:15.166
if you do it that way.
- Yes, well, that's...

00:06:15.166 --> 00:06:16.709
Yep.
[Matti laughs]

00:06:16.709 --> 00:06:19.250
[Gary laughs]
- I just think it's so cool

00:06:19.250 --> 00:06:26.291
that we can, as a band, let
people let loose a little bit

00:06:26.291 --> 00:06:27.834
and give 'em a good day.

00:06:27.834 --> 00:06:31.999
- Gary: There's no words that
really describe how proud I am

00:06:31.999 --> 00:06:34.999
and honored to be able
to do this with my family.

00:06:34.999 --> 00:06:37.417
I wouldn't trade it
for anything.

00:06:39.458 --> 00:06:41.041
♪ Dee da da da ♪

00:06:41.041 --> 00:06:44.917
♪ Dee da da dee da dee da da ♪

00:06:44.917 --> 00:06:46.999
♪ Yoo hoo hoo! ♪

00:06:46.999 --> 00:06:50.583
[lively polka music]

00:06:51.959 --> 00:06:54.333
♪ Somebody scream! ♪

00:06:54.333 --> 00:06:56.125
♪ Ah! ♪

